A Quote by Alan Dean Foster
I have a bad tendency to get rapidly bored with my own material, so rewriting is hard for me. I mean, I already know the story and would rather read something new.
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I'd get bored if I... if I had to do a movie, and there was no love story in it, I would just be bored. I mean, I would do it, but it would be kind of boring.
I get bored with unintelligent scripts. When I read the first page and I can tell what is going to happen, I know I don't want to make the film. It's two months work and I would get deeply bored. I would even prefer to do something that didn't work at the box-office, so long as it kept my interest alive.
It's hard to shape glass. It took me years of practice, and as a result, I've never gotten bored with it. It's difficult. Every time I come into the studio, I've got some sort of new challenge. And something that I would like to learn how to do better, and the material never disappoints me.
Maybe I had something to do with that. I don't know. But public don't believe press. If you were straight and really told it like it is, as Howard Cosell used to say, right? Of course, he had some questions also. But, if you were straight, I would be your biggest booster. I would be your biggest fan in the world, including bad stories about me. But if you go - as an example, you're CNN. I mean, it's story after story after story is bad.
When I say 'publishing is the new literacy,' I don't mean there's no role for curation, for improving material, for editing material, for fact-checking material. I mean literally, the act of putting something out in public used to be reserved in the same way.
I once wrote a short story called 'The Best Blues Singer in the World,' and it went like this: 'The streets that Balboa walked were his own private ocean, and Balboa was drowning.' End of story. That says it all. Nothing else to say. I've been rewriting that same story over and over again. All my plays are rewriting that same story.
If I've got a script, you think I'll go to Hollywood to get money? I was bored with the people around me, so I just created my own movie, my own character. I'm the story of my own movie, and you know what? My movie is going to be better.
The main issue was deciding what to play: Should it be old Ramones material or new material? I had about three albums worth of new material, but I knew that people would rather hear the Ramones songs.
I don't think I've ever googled myself. But I do read some things... I mean, if I know that I was with an interviewer and I kind of figure that he or she got something bad or something good from the interview, then I'll read the piece when it comes out. But other than that, I'd have to have a reason to read it - and, usually, I don't have a reason.
The biggest challenge for me has been in coping with my perfectionism. I have a stiflingly hard time moving forward in a project if it's not 'just right' all along the way. The trap I so easily fall into is rewriting and rewriting the same scenes over and over to make them perfect, instead of continuing on into the wild unknown of the story.
Writing something down and processing it, sitting with a text and a story, editing and rewriting new drafts - that entire process helps clarify something for myself. Depending on the person, the act of trying to tell your story helps you understand yourself better, helps you come to terms with something that happened.
Don't keep rewriting and polishing something if it isn't setting the world on fire: start something new instead and consider the earlier story a learning experience.
I know the odds are all against me and I know you might not feel this way too but I know I would rather die trying to know if I could mean something to you
It's hard for the American industry to see a Latin actor playing something that is not a gardener or someone in a cartel. It's hard to find the material that tells a story of a Latin or European Spanish guy that is not a bad guy.
Collaboration is all about rewriting and rewriting and rewriting and helping each other to constantly improve a piece. And, it's also about spurring each other on to doing really great, hard work - it's easier to do it in a collaboration than on your own.
I don't go through a torturous intellectual process to decide what to direct. I know what I want to direct the second I read something or hear a story. I just know when it grabs me in a certain way I want to direct it. And then I spend the next four to six months trying to talk myself out of it, because directing is really hard! But it's true, I know essentially when and what I want to do next... it's an undeniable feeling I get and it's not the same feeling I get when I wind up producing something.
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