A Quote by Alan Ball

I think vampires are a timeless powerful archetype that can tap into people's psyches. — © Alan Ball
I think vampires are a timeless powerful archetype that can tap into people's psyches.
So yes, this is a show about an adolescent girl, her friends, and various vampires. Vampires writing in diaries, vampires attending high school, vampires investigating various mysterious supernatural events, vampires tormenting each other, vampires eavesdropping on each other, and vampires being sarcastic about other vampires' hairstyles. Vampires embracing every possible opportunity to take off their shirts.
I don't really know what it is about vampires that makes them such a powerful symbol, metaphor, whatever in people's consciousness. But I do know they're tremendously powerful. I mean, there's a vampire on 'Sesame Street.' And Count Chocula. I don't know why it's so powerful.
I don't know about timeless. I actually think most of what I do is completely modern, but universally modern. Who decides what timeless even means? Are the things that we consider timeless now going to, in fact, be considered timeless in 300 years? Probably not.
I am an archetype. There's the fat, sassy, black friend, you know? That's an archetype that exists, but that's not truly me.
The reason people use a crucifix against vampires is because vampires are allergic to bullshit.
I've always been an admirer of women who walk the line of being very feminine and powerful at the same time. That has always been my archetype because too many powerful women, I fend intimidating and frightening, and I never want to scare anybody. I want to be warm and cuddly and yet, powerful at the same time.
I think with vampires, you can't really go wrong. For generations, vampires have been a hit because they're unobtainable, mysterious, sensual, dangerous, kind of sexy.
I often think a lot of women's attraction to vampires is based on the fact that vampires come from centuries ago, from eras of chivalry and courtly virtues.
I was thinking about vampires and, specifically, about what makes vampires a romantic trope: about what people like about not just vampires but supernaturally long-lived creatures in general, which is a thing that shows up in probably fifty to sixty percent of paranormal romances... And then, for some reason, I decided to reverse it.
'Free Bird' is timeless, 'Sweet Home' is timeless. They're just timeless songs.
I think people have this stereotypical idea in their head of what a nerd is. People have said to me before, "You're not a nerd!" because I think they think of the classic Revenge Of The Nerds archetype.
My children are vampires. I don't mean that they are going to dress as vampires for Halloween. I mean that, like vampires, they cannot be captured on film.
Vampires, real vampires, didn't nibble on the necks of nubile young virgins. They tore people to pieces and sucked the blood out of the chunks.
I am realizing and accepting my role as a tap dancer in this world is not only to tap dance for the sake of performance, but through tap dance be able to share and spread a message and congregate with people I would not necessarily be with had it not been for dance.
The sound of tap is not 'clickety clickety tap tap,' this monotone thing. The sound of tap has depth. We want you to hear the different highs and lows, the bass, the trebles and the melodies, if you can.
I'm a tap dancer. Once you're a tap dancer, you're always a tap dancer. In 'After Midnight,' I get to dance, but I don't do a full tap number.
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