A Quote by Alexa Von Tobel
I always have Moleskine notebooks on my desk. I am a big journaler. Every day I write down where I went, who I spoke to and what it was all about. Richard Branson told me to do that.
Related Quotes
I can't tell you how much money I waste on plaid shirts, whisky that I hate the taste of, and Moleskine notebooks that I never write in.
Branding is everything. A young girl once came up to me and told me I could be famous because I looked just like Richard Branson!
I am a highly disciplined person. I get up at seven every morning and, still in my pajamas, sit down at my desk where my checkered ring binders and my fountain pen are ready for use. I try to write two pages every day.
I am not Richard Branson.
When you write non-fiction, you sit down at your desk with a pile of notebooks, newspaper clippings, and books and you research and put a book together the way you would a jigsaw puzzle.
Someone spoke to me last night,
told me the truth. Just a few words,
but I recognized it.
I knew I should make myself get up,
write it down, but it was late,
and I was exhausted from working
all day in the garden, moving rocks.
Many writers-in-waiting spend a lot of time avoiding the work at hand. The most common way to avoid writing is by procrastination. This is the writer's greatest enemy. There is little to say about it except that once you decide to write every day, you must make yourself sit at the desk or table for the required period whether or not you are putting down words. Make yourself take the time even if the hours seem fruitless. Ideally, after a few days or weeks of being chained to the desk, you will submit to the story that must be told.
My writing life is pretty simple - I try to work every day, almost always in the mornings - and I can only write fiction effectively for about three or at the most four hours. No big mysteries, I just sit down and try to advance the cause a little bit every day.
I sit down at my desk pretty early in the morning and write all day until about 4 or 5 p.m.
Open this notebook every day and write down half a page at the very least. If you have nothing to write down, then at least, following Gogol’s advice, write down that today there’s nothing to write. Always write with attention and look on writing as a holiday.
I carry around a black leather Moleskine journal all the time. And I always write ideas down, especially when I'm on set and working with actors like Jeremy Irons and Viola Davis and learning from them.
There isn't a single day I don't do some writing -- if you don't, you won't have a book. When you're self-employed it is very easy to burn away your time instead -- answering e-mails, surfing the Internet, or hanging out with friends. You really must have the discipline to sit down and write every day. Most of what I am writing is living in the back of my head or in my subconscious. I find if I write every day, my subconscious will do the job for me.
'Sir' Richard Branson may be the Julian Assange of British business, in that both believe the world revolves around them. Hence Branson's decision to set up an air service between Manchester and London, above the route of the train line that's been taken from him.
The secret to writing is writing. Lots of people I know talk about writing. They will tell me about the book they are going to write, or are thinking about writing, or may write some day in the future. And I know they will never do it. If someone is serious about writing, then they will sit down every day and put some words down on paper.
I was always writing. When I was a little kid, before I learned how to write, I would tell stories. But as soon I as capable, I started writing. I filled notebooks and notebooks until I got my first computer when I was 11. It never really occurred to me that I would do anything else.
People ask me when I decided to become a playwright, and I tell them I decide to do it every day. Most days it's very hard because I'm frightened - not frightened of writing a bad play, although that happens often with me. I'm frightened of encountering the wilderness of my own spirit, which is always , no matter how many plays I write, a new and uncharted place. Every day when I sit down to write, I can't remember how it's done.
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