A Quote by Alexa Chung

I think Maje typifies that French vibe where it's simple items that are very practical, very wearable but also, like, incredibly chic and expensive-looking. — © Alexa Chung
I think Maje typifies that French vibe where it's simple items that are very practical, very wearable but also, like, incredibly chic and expensive-looking.
I think Maje typifies that French vibe where it's simple items that are very practical, very wearable but also like incredibly chic and expensive-looking.
I'm on an Isabel Marant kick. She does an amazing job of making things that are everyday-wearable but also special and a little bit different. I definitely like that she has a '70s western vibe. There's something that's very fun and vintage in what she's doing.
My mother has a very chic sense of style, but she also has high expectations for her clothes to be functional and practical.
There was Pauline de Rothschild, who I thought was very fabulous, and Millicent Rogers, the Standard Oil heiress, very chic, very clever, very original. I admired both those women very much. And I had a great example with my mother, who was extremely chic.
There is no word in English for chic. Why should there be? Everything chic is by legend French. Perhaps everything chic is in reality French.
A lot of the vibe in London is being sucked dry because of the economic situation. It's very expensive, and it gives you nothing back. New York still feels like there's stuff going on. People are struggling to create art. There's still a vibe.
I actually don't think there is any difference between French and American cuisine. French cuisine was always about discipline, about ingredient, about creativity, but also about simple. I see America as very similar in these rights.
I do believe in the myth of San Francisco and there is a force, a magical kind of thing there. That feeling of like, I've never been to another place like it. It doesn't even feel Californian. Even how it's laid out physically, it's very strange. Like, the weather patterns don't make sense. They do scientifically, but in a practical way it doesn't make any sense. And that weirdness, it really creates some weird thing in the air. But it is you know, on a practical level, it's very expensive, and it's a very business-oriented place, too, and there's a lot of that stuff going on.
I like the dream, like fantasy dresses. Women can dream at 9 in the morning and at 10 o’clock at night, it doesn’t matter. I think it is also important for me to make it pragmatic and practical and wearable. I always say, 'If you can’t eat it, it’s not food, and if you can’t wear it, it’s not fashion, it is something else.'
It's very, very rare you find something really original and also because a lot of original stuff, most of the time has no chance, because it's so expensive to make something famous or put it in people's head that it's the one to see, it's like awareness has to be almost like at 80% or 90% if you make an expensive summer movie and that's very hard to do with anything an the White House naturally is in itself some sort of a trademark.
The idea was to have something wearable that fit with my reality, which was being a mom with two young kids and not always wanting to wear jeans. I still wanted to wear interesting clothes, and the options out there I found were either very expensive or very cheap. There was a big gap in the middle.
My house is very traditional. And I love 'shabby chic.' It's a very homey-cosy vibe. We spend a lot of time in the kitchen, actually; maybe my kids will be doing their homework or that kind of thing when they get home from school. I love my kitchen.
It's very important to say that French doesn't belong to France and to French people. Now you have very wonderful poets and writers in French who are not French or Algerian - who are from Senegal, from Haiti, from Canada, a lot of parts of the world.
I think something that's very important for us to communicate is usually very simple. Like breathing: Breathing is very simple. You don't do a dissonant 9th harmony or something in breathing. You just breathe, you know. I think that's how it is with very important messages.
French women have been made beautiful by the French people - they're very aware of their bodies, the way they move and speak, they're very confident of their sexuality. French society's made them like that
French women have been made beautiful by the French people - they're very aware of their bodies, the way they move and speak, they're very confident of their sexuality. French society's made them like that.
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