A Quote by Alejandro Gonzalez Inarritu
To shoot a conventional film means that you are always covering yourself. You are putting nets and, in a way, letting bad decisions take over.
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When you are shooting in a conventional way, you put nets around yourself. It's very hard to fall and hit the ground. You can always manipulate things to make it not embarrassing. If the scene is a little bit bad, you can polish it or even take it out. You can hide your mistakes.
When you shoot nude, you always find a way to, like, cover yourself up in a way. So you really don't feel like you're truly naked because you're still covering yourself.
I don't believe in putting in music as a band aid to get you over some rough parts or bad film making. If it's there it's got to add to it or take it to another level.
I became passionate about nature filmmaking when I graduated from UCLA, and one of the things I always wanted to do was shoot really high quality film, so I got into time-lapse photography - so that means when you shoot a flower, you're shooting, like, one frame every twenty minutes, so that's basically two seconds of a film per day.
Socially in my alliances I wanted to just have a strong alliance and making decisions but not putting it out there but letting other people be the target in that way. I think it worked until I should not have been playing that way anymore.
When you're making a film, you have to make most of your decisions on the run, and there is a tendency to always shoot from the hip.
A career is measured over the course of the years, not moments. Over good decisions, over successes, not moments, failures, missteps, or bad comments. I learned that I needed to take a step back and look at my career not in that one moment that made me feel really bad, but what I had done not even in the past one or two years or last one or two hires, but that that career is built over many, many, many, many successive quarters and years and good decisions - never, ever made in that one moment where you felt really bad.
I'm not letting any stupid decisions get in my way. I want to be a role model, letting girls know that they can follow their dreams.
Over the past year I'vediscovered if you keep on giving and giving, you end up losing yourself. I think that learning to give and receive is the trick. Perfect happiness is also a feeling, and the most amazing thing is that we were all born with the gift to make it happen in a heartbeat. Putting on certainmusic, reading something can make us feel a certain way. I think the key to happiness is allowing ourselves to not feel bad or guilty for feeling it, and letting it be contagious. And to not be dependent on other people to create your own happiness.
I came back to Haiti after the earthquake not to shoot a film, but to help and be a part of the rebuilding process, like all my fellow compatriots. I didn't come to shoot a film, but I became frustrated when I realized that my help was kind of useless. We all felt lost and helpless. And it's out of that frustration that I decided to shoot a film.
It's easier to go outside and play basketball. You can shoot around by yourself. Play pick-up. Whereas with baseball, no one likes putting a ball on a tee, hitting it, chasing it and putting it back on a tee. You need more than a few guys. So I was always in the neighborhood playing basketball with my friends.
Everybody makes bad decisions. I am sure I have made my share of them over 40 years of service. Or I have made good decisions and have been overruled. The real challenge, when you are overruled, is to remember who the boss is and don't take it personally.
I mean putting yourself out there in the way of overwhelming happiness and knowing you're also putting yourself in the way of terrible harm. I'm scared to be this happy. I'm scared to be this extreme.
So many women have had to make these sacrifices - putting off having kids, letting their husbands down - for some career opportunity. Mine just happened to be covering the woman trying to become the first woman president.
It's assumed that if you're a woman, you want to be the prettiest version of yourself. It always put me in a bad mood. It was like, "OK, I'm successful. I'm supposed to be happy. Well, why aren't I happy?" Part of the problem was that my looked-at-ness had become a priority over my art making. Over and over again it was like, "I don't have time for this. I want to work." I love writing. I don't love somebody putting false eyelashes on me.
I'm really specific in the way that I shoot. I've always had a very good sense of what I need in the editing room. I used to shoot in a way that drew more attention to the camera and I've tried, in each film, to draw less and less attention to the camera. I think when you pay attention to the shots, you're aware of the fact that there's a director.
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