A Quote by Ali Fazal

'Fukrey' was a major turning point of my career because it was post this film that I started getting lead roles in films like 'Bobby Jasoos.' — © Ali Fazal
'Fukrey' was a major turning point of my career because it was post this film that I started getting lead roles in films like 'Bobby Jasoos.'
I thought 'Bobby Jasoos' was an extremely interesting film.
I'm not getting into rooms for cis roles. I started my career auditioning for those roles, and then I went to play trans roles. And now, I feel boxed in.
I've been lucky to get some path-breaking films, which proved to be the turning point in my career. Be it 'Rock on!' 'The Last Lear' or 'Raajneeti,' directors started working in a different way.
With my career in general, I feel like I'm finally getting to do the roles that I've always wanted to do. It's a slow build; you can't ever get the roles that you want in the beginning of your career because you don't have the buzz or the heat, or whatever the hell it is you need for the agents and the studios to be happy.
I was shooting for 'Bobby Jasoos' when I was offered 'Khamoshiyan.'
The turning point in my career was Jaws. It was a turning point because I was a director-for-hire before Jaws and because it was such a big hit I could do any movie I wanted and Hollywood just wrote me a cheque.
When I played the lead actor, it was a stressful job right from the starting to the release of the film. I even used to put in money from my pocket for a few films. But once I accepted the negative role, filmmakers started writing different kinds of roles for me.
People figure because I'm blonde and was a model, I just waltzed into Los Angeles and got major roles in major films.
I think when I first started acting there were different people who I thought, 'I want that person's career or that person's career.' And as time has gone on, it's become really clear to me what is important to me; getting the best roles, the roles that I feel are challenging and scary and that I haven't done yet.
I've seen an increasing willingness to hire Canadians for lead roles that shoot up here. When I started, they would always just fly in L.A. people to do the lead roles.
One of my favourite films is called 'Lacombe Lucien,' directed by Louis Malle. The lead character in that film, like the lead characters in many '70s and '80s films, has a moral ambiguity to him.
You can't do anything to a film post its release. I concentrate on working hard, giving the required inputs for the roles, having discussions with my directors and co-stars. It isn't possible to predict the fate of any film. I don't take failures to heart and successes to my head. These are part and parcel of this career.
Ive seen an increasing willingness to hire Canadians for lead roles that shoot up here. When I started, they would always just fly in L.A. people to do the lead roles.
I went to film school when I was 17, and of course when you are very young you think that there is nothing else in the world except film. At some point I started getting hungry to see something else. For five years I didn't make any films, I was traveling around the world, writing for newspapers, working in theater, working in opera, I thought I would never return to film.
I have played lead roles, supporting roles and also miniscule roles in my career so far, and have never been image conscious.
There are so many fabulous heroine-oriented projects happening in Mumbai, whether it's 'Kahaani,' 'Bobby Jasoos,' 'Queen' or 'Mardaani.'
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