A Quote by Alice Dellal

Some photographers work on the same image for hours and hours and then use the first picture that they took. — © Alice Dellal
Some photographers work on the same image for hours and hours and then use the first picture that they took.
First, the three of us holed up in winter in a cabin and took the 500 hours down to twelve hours. Then we found an editor, Lambis Haralambidis. He took that twelve hours and brought it to five. Then we get together and started taking the ax and chopping off different parts of our film.
Four hours of makeup, and then an hour to take it off. It's tiring. I go in, I get picked up at two-thirty in the morning, I get there at three. I wait four hours, go through it, ready to work at seven, work all day long for twelve hours, and get it taken off for an hours, go home and go to sleep, and do the same thing again.
The key to getting ahead is setting aside 8 hours a day for work and 8 hours a day for sleep - and making sure they're not the same hours.
I also listened to hours and hours and hours and hours and hours of [J.F.] Kennedy, and I sort of built [ accent]. And then I got on set [of 'J.F.Kennedy' movie ] and forgot it.But that's what you want to do. You want it to just be real. And I think authenticity was better than - people always talk about when an accent doesn't work, and the phrase you always hear is, "It was inconsistent."
Maybe people have no idea how much work is behind a picture. It can seem very effortless but there is a lot of work. It’s exactly like doing ballet. It’s hours and hours but when you go onstage it’s just the pleasure of dancing.
Maybe people have no idea how much work is behind a picture. It can seem very effortless, but there is a lot of work. It's exactly like doing ballet. It's hours and hours, but when you go onstage, it's just the pleasure of dancing.
Work eight hours and sleep eight hours and make sure that they are not the same hours.
When I first came out of Argentina to Europe, the flight took 36 hours. Now it takes 12 hours, and the world is still shrinking.
I have a few methods that I use. One of them that kind of works but is a bit a boring is that I lock myself in the studio and I have four hours to work and come up with stuff. If nothing's sticking in four hours, then I can stop.
As an athlete, I'd average four hours a day. It doesn't sound like a lot when some people say they're training for 10 hours, but theirs includes lunch, massage and breaks. My four hours was packed with work.
Actors travel a lot and work long hours, and sometimes you eat at odd hours, so I have to work out to keep my weight at the same level.
You are fooling yourself whenever you think you are productive just because you have worked fourteen hours in a day. You will be truly productive when you do the same amount of work in four hours, and take the other ten hours to enjoy the good things life has to offer.
I saw Cara Delevingne like five, six times. And I was never talking about the film [Valerian]. And then at the end, I say okay, let's do some test. She says yeah, yeah, good. So I took her in the room, and I test her for like six hours non-stop. Exercise, exercise, exercise for six hours. It was actually funny. And then I knew at the end of the six hours.
My life's pretty simple. Look at hours and hours of film to try to find some things that will work on Saturday. Try to have a good practice every day. Use the offseason to recruit and build the culture of the locker room. That's my deal.
When I was at the Cordon Bleu things took hours and hours and hours to make. And they were beautiful dishes - and I know how to cook that way - but I was like, 'no one is cooking like this.'
I sleep 12 hours and then work 24 hours. I've worked those irregular hours for the past three years. It's better to stay up day and night to come up with ideas. I usually get inspiration for game designing by working this schedule.
This site uses cookies to ensure you get the best experience. More info...
Got it!