A Quote by Amaal Mallik

A lot of people have that notion that it must have been easier for me because I had the Malik tag. But I don't feel it's right. With due respect to someone like Ankit Tiwari who leaves everything at home to come and make it big here without any backing, I agree I have an advantage.
Fighting is really, really rewarding. I truly enjoyed it. I got feelings from fighting that were bigger than those I had experienced in almost any other realm of my life. It made me feel awake in a way that I had never been awake. Those kinds of big emotions and big experiences may come with a heavy price tag.
I take advantage of the opportunities that have come my way. I think I've lucked out that I've never been thrust in the spotlight where people wanted to dissect every aspect of my life. I've been given a lot of distance and respect. It's allowed me the best of both worlds. I have the job of my dreams, but I also have the freedom that doesn't always come with it. I feel very lucky in that sense.
We keep a lot of humor and laughter in the home. A lot of times these days, people let the stress of life take the joy from the home. When you can laugh and you can have joy, that's very healthy. Victoria is easy going. She's very spontaneous and fun. I can hear her laughter all through the house. It sets the tone for the house. I like someone who can laugh. The second thing is respect. We just do our best. We don't always agree with each other but we make the decision that we want to treat each other with respect.
Learn from someone who has already been up there: no matter how unique you feel, there is always someone who has had the same dream before you and ended up leaving marks that can make your journey easier; places to hang the rope, trails, broken branches to make the walking easier. The climb is yours, so is the responsibility, but don't forget that the experience of others can help a lot.
I'm grateful that I feel the way that I do - to make choices based on a lot of people's feelings - even though it has been hard at times, especially when I was younger, but I feel like it has led me down the right road for me. I'm very happy with what has come of that.
My heart gets very tender when it comes to playing someone who has wronged someone else. I almost feel like it's easier for me to play having been wronged than it is to actually feel like you had an active part in hurting someone.
People are expecting me to be a certain way all the time. It's not like if I come in here with a totally different personality and right before the camera starts they see this new character. It confuses everything. Life has a consensus reality to it and if you use that to your advantage it makes it much easier.
If you are someone like Jeff Koons, and you have to work out how to make a big chrome heart or something, then there are lots of people and a big production involved. The money is more natural somehow. For me, I am just on my own in the studio, trying to make things work. One thing is sure: it doesn't make painting any easier.
People say I don't have great tools. They say that I can't throw like Ellis Valentine or run like Tim Raines or hit with power like Mike Schmidt. Who can? I make up for it in other ways, by putting out a little bit more. That's my theory, to go through life hustling. In the big leagues, hustle usually means being in the right place at the right time. It means backing up a base. It means backing up your teammate. It means taking that headfirst slide. It means doing everything you can do to win a baseball game.
I can say that my big records and my success have been due to the backing which Atlantic have put behind me.
The tag of a 'National Award winner' earned me a lot of respect from a lot of people. I like that in a way.
I used to hitchhike a lot. I'd come home on the train from New York, and there'd be no cabs, but people would pick me right up and take me to my door because they recognised me. It was like a car service. I never really had a bad experience hitchhiking.
I know that, for me, working with people like Robert Rodriguez and Ridley Scott and the Coen brothers and Oliver Stone and Gus Van Sant was so much easier than working with a lot of the people I had worked with before, because with these guys, there's not a lot of ego involved. It's all about the work. It's all about how to make the story better. So at the end of the day, you feel a trust that you usually don't feel - or at least I haven't felt in the past with most people.
I have a very high respect for professional comedians. What they do astonishes me. You have to be really smart and absorb everything, repackage it, bring it back to the person, and make them laugh at themselves. I can make people laugh during my talks because they didn't come to have me make them laugh. It's added value. So my job is way easier than that of a professional comic.
When I was young I was on punishment a lot and I used to watch a lot of TV, and I asked myself a question: 'How come people like Mike? How come they like Magic? How come they like Bird? How come they don't like the big guys?' So I just throw a little bit of what they were doing. You smile, you act crazy and silly. And I think people like me because I'm different. I've always been a class clown type of guy. It comes natural.
People feel like there're two systems of justice, you know? Over there at Wells Fargo, you know, you had the scandal going on there, but the CEO leaves with a big, giant package. And other folks get in a whole lot of trouble for doing a lot less. The truth is that we have got to make America work for working people again.
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