A Quote by Amaal Mallik

I love collaborating with different voices. — © Amaal Mallik
I love collaborating with different voices.
Every director is different. One of the great things about getting to work with so many directors in one TV series is collaborating with different artistic visions and voices. And they all have something to offer and making the story better and bringing their vision to what you see in the frame.
You're collaborating with people you don't even know, when you're making a film. You're collaborating with people you've never seen. So, the collaborative process is very, very different than when you're collaborating on a record with the musicians you've worked with all your life.
I enjoy collaborating with all of the directors I have worked with. I love collaborating with creative people on interesting projects.
I love collaborating with different people.
There's a lot of magic in voices. I love voices that are very old, very gravelly, very deep. I like metallic voices; I like velvety voices. The voices of children.
My first two books, I was very close to my main character, stuck inside their head. And then with 'Arrogance,' I broke into many different voices. I introduce many different characters, and that helped me to develop a confidence to move between different characters, between different voices.
There's always a host of voices you're inspired by. I love Don DeLillo, and I love Isaac Bashevis Singer, and I love Beckett, and I love Pinter. He's one of the funniest voices in English literature since Dickens.
I love the process - collaborating with the photographers, traveling, and seeing different cultures. My mother always said I would regret it if I didn't do it. And I think she was right.
For its part, Government will listen. We will strive to listen in new ways - to the voices of quiet anguish, to voices that speak without words, the voices of the heart, to the injured voices, and the anxious voices, and the voices that have despaired of being heard.
When I heard Billie Holiday's voice, Nina Simone's and Ella Fitzgerald's - there was something about their voices to me that was such a different texture than what I was used to listening to at the time. Hearing those jazz voices were so different, and I think I just gravitated toward it.
In a black-and-white world, back in the '50s, were voices from another era. All actors used to sound different. Robert Mitchum sounded different from John Wayne, and John Wayne sounded different from Clark Gable. They were like men's voices, but they weren't Everyman, it was them.
I love getting into a studio with a bunch of friends. When the day's done, we've made something. We recognize that we're from different walks of the music industry, and there's no reason we shouldn't be collaborating. That's what I'm trying to create with thenewno2 - a sense of community.
Acting is always more fun for me.I love being a part of a story, I love collaborating, I love working with different directors. If I just directed more and more, it would lessen the opportunity to work with all these big directors that I've had the opportunity to work with.
I usually find several ways to express myself: different moods, different days, different voices, different things, 'I'm lighthearted today, I'm gonna do this.'
When you listen to my music, you hear that there are all these voices going on in different parts of the song. That's because I was always around so many voices in church.
Increasingly I think of poetry as a theatre of voices, not as coming from a single "I" or from any one position. I want to imagine voices different from my own.
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