A Quote by Amanda Lepore
I'm well-traveled. I've had to get a few passports because I ran out of pages.
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He ran as he'd never run before, with neither hope nor despair. He ran because the world was divided into opposites and his side had already been chosen for him, his only choice being whether or not to play his part with heart and courage. He ran because fate had placed him in a position of responsibility and he had accepted the burden. He ran because his self-respect required it. He ran because he loved his friends and this was the only thing he could do to end the madness that was killing and maiming them.
In Russia we had to have special visas in our passports, and when we had to show our passports at the Kremlin gates, we realized that, Oh my God, we're actually playing in THE Kremlin!
I was at business school doing pretty well for myself, had a few offers from some great companies. But when I traveled across the world, I was shocked by just how much pain, struggle, and anguish people had to go through to have basic necessities.
Bad things can happen, and often do--but they only take up a few pages of your story; and anyone can survive a few pages.
The writer I adore is Ivy Compton-Burnett.I couldn't get more than a few pages in when I first read her. In many ways, she is very clumsy and her plots are rubbish. But we don't read her for that. There are pages and pages of dialogue. What it requires is real effort and attention.
The reason I love comics more than anything else is that the longest story will be just a few pages. With a novel, it takes so many pages to get to one thing happening.
We would do improvisation together. And that in a way, had almost a "student-film side" where we'd be sitting there with Robert Downey and Jon Favreau and we're playing around, we're jamming around and we read those pages and in next couple of days that's what we do, so it was a good experience. Kind of frightening at first because you didn't quite know how it was going to work out, but they had some very talented people there so it worked out well.
During my last year of college I wrote the same ten pages over and over again. Those ten pages became the first few pages of my first novel. I can still recite the opening paragraph from memory - only now I cringe when I do it because they are - surprise! - a classic example of overwriting, in addition to being a more than a little pretentious.
Lampoon ran out of steam in the early '80s, and wasn't able to reinvent itself because it ran out of talent. People who wanted to do this kind of stuff could suddenly make $100,000 in Hollywood right out of college.
I ran track in high school very competitively, and then ran it D-1 at Boston University. I ran there on an athletic scholarship and chose BU because they had both a good track program and an arts program.
Most new writers think it's easy to write for children, but it's not. You have to get in a beginning, middle and end, tell a great story, write well, not be condescending-all in a few pages.
I found out about it probably 9 - 10 months before we shot the film [Don't Kill It] because it was postponed a couple of times, which was actually a good thing because once it all finally came together, I had to get in there and roll off different pages of dialogue and monologues pretty quickly.
I once ran away from home because I was upset with my parents! I didn't get farther than a few feet into the woods, where I hid behind a tree. Sometimes you feel like you should just go out and rebel, and then you realize it's not the right thing to do. You've got to stay true to your family.
You want to do a few things really well because you want to come out with a product that is fully baked, even though it may be lacking in a few features or whatever, rather than the one that's all-achieving but not doing anything too well.
Though I leave the house as little as possible, I have the impression that someone is disturbing my papers. More than once I have discovered that some pages were missing from my manuscripts. A few days afterward I would find the pages in their place again. But often I no longer recognize my manuscripts, as if I had forgotten what I had written, or as if overnight I were so changed that no longer recognized myself in the self of yesterday.
When I open them, most of the books have the smell of an earlier time leaking out between the pages - a special odor of the knowledge and emotions that for ages have been calmly resting between the covers. Breathing it in, I glance through a few pages before returning each book to its shelf.
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