A Quote by Anil Ravipudi

I have been inspired by world cinema in different ways. But no, 'Raja The Great' is not a copy. It's not based on any film. You will see a lot of Telugu nativity, moreover.
To me, a revolutionary film is not a film about a revolution. It has a lot more to do with the art form. It's a film that is revolting against the old established language of cinema that had been brainwashing the people for decades. It is a film that is trying to find ways to use sound and image differently.
I'm inspired to write songs in many different ways - it can come from a melody, a word or phrase or something I have seen on my travels around the world. It's one of the great bonuses of my job in that I get to meet so many people and experience different cultures and it would be hard not to be inspired.
My mother is a Chitrapur Saraswat from Mangalore and half-Telugu, and my father is a Bohri Muslim. My mother's father, J Rameshwar Rao, was the Raja of Wanaparthy, a principality of Hyderabad. He was influenced by the socialist movement and became the first Raja to give up his title.
I always write knowing that people will hear it, but also hoping they'll see it. So a lot of times I make lyrical decisions based on what looks better. Also I write based on what I saw for a video. I obsess over lyrics in the hopes that they'll endure in different ways. I'm very precious about it.
I'm inspired heavily by film influences - David Lynch's Blue Velvet, Federico Fellini, Alfred Hitchcock, Pedro Almodóvar, and what I see in the cinema - so there is a linking, an interweaving between memory, cinema and contemporary life, which the women in my pictures encapsulate.
The world is slowly, slowly moving towards love relationships; hence there is great turmoil. All the old institutions are disappearing - they have to disappear, because they were based on the I/it relationship. New ways of communication, new ways of sharing are bound to be discovered. They will have a different flavor, the flavor of love, of sharing. They will be nonpossessive; there will be no owner.
I got a sneak peek into the functioning of the film industries of the south through Telugu cinema. This industry has helped me understand how to adapt to various styles of filmmaking. It's been liberating.
There is no future in which bits will be harder to copy than they are today ... Any business model that based on the idea that bits will be harder to copy is doomed.
When I turned twenty-five, I did a six-week trip around Europe by myself. I'd never really done a European trip before and I'd definitely never traveled alone like that. I just had such a great time meeting people. I had such a great time seeing new cultures and different ways that people think and different ways that they live and different ways that they see the world.
Nobody has tried anything like this in Telugu cinema. 'Eega' is a landmark film.
Honestly, and seriously, I know I have to do a Telugu film. It was my grandmother's dream to see me in a Telugu film before she died. I couldn't fulfil her dream before she passed away, but I don't want to let go of it, either.
When the film [Certified Copy] was in the Cannes Festival, I realized that the fact of having it shot in a different culture, in a different language, in a different setting, that wasn't mine and that I didn't belong to, gave me a totally different relationship to the film. When I was sitting in the audience during the official screening in Cannes, I didn't feel that it was my film.
As a film, 'Lie' is a class apart. It's going to be unlike anything we've seen in Telugu cinema.
The pacing in Tamil and Telugu is very different from Malayalam cinema.
I am aware of Telugu cinema and I have never felt that it's a different one.
Everybody who has watched 'Raja The Great' has loved the film. That's why I am even more tensed. I want to see the audience's response. I am nervous.
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