A Quote by Anna Boden
We can always connect with all of our characters on a human level, but a lot of them took a lot of observation and exploration and talking with people. And we absolutely embrace our actors' perspectives on all that.
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A lot of actors give a performance that many people connect with and they end up talking about it a lot of their life.
For me, a lot of these actors are new. For me, I only worked with Finn Whittrock and Michael Chiklis. So a lot of these actors are people I've been a huge fan of for years and are bucket-list actors for me to get to work with. It's pretty surreal now getting to step into scenes with them.You all get to find your characters together.
I think a lot of the American people feel more than a little disappointed that the high-water mark for human exploration was 1969. The dream of human space travel has almost died for a lot of people.
In a sense, all actors are character actors, because we're all playing different characters. But a lot of the time - and I don't know, because I'm not a writer - but writers a lot of times write second- and third-tier characters better than they write primary characters. I guess they're more fun.
It's normal that if you are working with a lot of people, then you have a lot of different mentalities and characters. You have the serious guy, and you have the one who is always complaining and the one who is always talking. Everyone is different.
I think that a lot of people, especially as technology began to speed up and we became more distant, we kind of started to lose our appreciation for human contact and gathering and friendships and a lot of the things that we really took for granted.
On the other hand, we don't come to work with all of these social goals, nor are we directly trying to change the world and all of that. Our job is that we have these human characters, and it's our responsibility to play them truthfully and as human as possible. Jill has cast this impeccably. These actors nail it, even the non-Pfeffermans. It's ridiculous.
We do a lot of talking with our mouths, but we don't necessarily realize the signals we give out physically with our body posture when we're talking to people.
I'm not saying every musical theater actor can do film or television, but a lot of them can. A lot of them are brilliant actors who absolutely don't need to sing to prove their ability and don't get the opportunity.
I think that's the phenomenon of our time is that a lot of women keep themselves in good shape but that there's not a lot of accommodation or people out there to connect with and the technology.
When you talk about black entrepreneurship, you're talking about addressing the foundation of what's going on with our people when we don't have any financial power. Our basic needs aren't being met in a lot of cases, so there's no way we're going to be able to tap into our potential until we address those bottom-level base needs.
The personal boundaries, I think for comedians they're a little bit different anyway, but I think people - feel free to do stuff - It's interesting with comedians because when we walk on stage, oftentimes we're talking about ourselves for an hour and we're talking about very intimate details, so after hearing us for an hour, a lot of people feel very comfortable with us because they feel like they know us and they're our friends because we just told them our innermost secrets and details of our lives for an hour. What they forget is we know absolutely nothing about the audience.
We're used to our users sharing a lot of stories with their friends. They are our chief ambassadors. Publishers are obviously an important partner for us, and we're always talking to them about how we can work together even more.
I didn't really know what to expect, but I thought there aren't a lot of rap groups that can say they have a documentary done about them, so my attitude was like, 'Shoot, why not?' I'm sure there are a lot of people that would like to take our place. I felt like we should all embrace it.
When people connect to my work, it makes me feel great. A lot of that stuff is really deep, and when I play something and people feel what I feel, and use it in important situations in their lives, like at weddings or funerals, that's so powerful. It means I can connect with them on an important level.
It is wonderful to work in an environment with a lot of smart people. It challenges you to think and work on a different level. If you play with better players, you learn a lot: perspectives, intellectual arguments, new ways of thinking about things.
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