A Quote by Anna D. Shapiro

So many of my friends are actors, and so many of them are great, and they're losing jobs to people who have never been in plays before; I understand that sometimes I'm part of the problem. But I'm trying to figure out how to balance it.
How many times have I failed before? How many times have I stood here like this, in front of my own image, in front of my own person, trying to convince him not to be scared, to go on, to get out of this rut? How many times before I finally convince myself, how many private, erasable deaths will I need to die, how may self-murders is it going to take, how many times will I have to destroy myself before I learn, before I understand?
How many times have you heard a person in a workplace say, "I wasn't trained for this!" That's an impossible reaction from a physicist, who would say, instead, "Cool. A problem I've never seen before. Let's see how I can figure out how to solve it!"
There were many low points and times I doubted myself at work. I've heard no many more times than I've heard yes and there have been long periods in between jobs where money became very tight and I wondered how I was going to pay my bills. I've had to borrow money from friends and family to get by sometimes. That's the part of the 'overnight' success that people don't see. The struggle is real.
Like I always say, it's not how many great plays you make; it's how few bad ones you make. I know fans, and even some losing coaches, are enamored with long pass completions or the great run plays, but that doesn't offset the interception or the fumble.
I have so many great friends, so many great memories, so many great pictures, so many great songs, so many great relationships with people. I definitely feel, for the last 15 years, that I spent my time very wisely. And that's a great thing to be able to look back at.
Now, Tim has been really, really busy, and it's been my job now to kind of deal with everything. And trying to figure out how we balance that, logistically it's a nightmare. But these little jobs make it much easier.
Sometimes things fall in your lap and sometimes you really carve them out. I've found that songs I really like can happen both ways. I've also been trying to learn when to step away and take a break and when to keep pushing through. For me it's a delicate balance of staying inspired and staying consistent, and I'm still trying to figure it out.
I lack confidence, but I've been so lucky the way jobs have come to me, and I'm so grateful for them. I know how many brilliant actors there are out there who aren't getting the chances. While the work is there, I will grab it with both hands. It could all end tomorrow. You never know what's around the corner.
There's a great legacy before me. Many, many fantastic actors, artists, writers have come before me and created Superman. I'm very honored to be able to be a part of it.
I've witnessed so many meetings and conferences where people are trying to figure out what young people think, and my feeling has consistently been that you should just ask them.
I've been playing piano my whole life but I'd never tried to understand how compositions are made really. Try to imagine if you'd loved paintings your whole life but had never painted one. My aspiration now is just to understand. I don't have professional pretensions. I've learned so much. So many things I've been doing in the visual, two-dimensional painting world parallel many of the inner working of music - how intervals resolve into each other, harmonic rhythm, tonal things - there's a whole vocabulary that overlaps. Sometimes people see pianos in my works - that I never think.
Do you think the people who were trying to reach to the Everest were not full of doubts? For a hundred years, how many people tried and how many people lost their lives? Do you know how many people never came back? But, still, people come from all over the world, risking, knowing they may never return. For them it is worth it - because in the very risk something is born inside of them: the center. It is born only in the risk. That's the beauty of risk, the gift of risk.
Far too many people, many of them white men, are losing healthcare insurance as they lose their manufacturing jobs. This is commerce by most real world definitions.
Right now, for many Americans, class is being foregrounded like never before because of the economic situation. It doesn't mean that race doesn't matter, or gender doesn't matter, but it means that right now in many people's lives, in the lives of my own family members, people are losing jobs, insurance.
I'm not a great student, so I don't know that I would have been a great detective. Part of my brain sort of works that way, like wanting to figure out puzzles and figure out what happened and why people do the things they do and who they are and how it happened.
Never in the history of chess have so many moves been repeated so often so quickly by so many people who didn't really understand them.
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