A Quote by Aparna Sen

It's difficult to do a love scene in Indian cinema. The censors are sitting on top of your head. — © Aparna Sen
It's difficult to do a love scene in Indian cinema. The censors are sitting on top of your head.
Indian cinema gives you everything that western cinema doesn't. It's maseladar and spicy. If you like Indian food, I think you'll love Indian movies.
It was difficult in India to find an eight year old who could play a widow. The reason for that is that most of the children in India are really exposed to Bollywood. It's commercial Indian cinema which is really over the top. To find an actor, or even a non-actor, who felt natural was difficult.
I spent 15 years of my career trying to convince people that Indian cinema is relevant. I am so proud of Indian cinema and I am so proud of my Indian roots. The IIFAs are doing a great job to this effect.
The film industry is large enough and has many successful icons that have taken Indian cinema to shores beyond India. I think that Indian cinema itself needs to be applauded beyond one individual.
There is more to Indian cinema than just Bollywood. I think regional cinema, especially Tamil and Marathi cinema are exploring some really bold themes.
There is more to Indian cinema than just Bollywood. I think regional cinema, especially Tamil and Marathi cinema, are exploring some really bold themes.
He wanted head and hands and arms on a pillow - in many different positions. I was asked to move my hands in many different ways - also my head - and I had to turn this way and that. There were nudes that might have been of several different people - sitting - standing - even standing upon the radiator against the window - that was difficult - radiators don't intend you to stand on top of them. (On being photographed by Alfred Stieglitz)
I am extremely proud that our cinema is being recognised in the West. I want Indian cinema to get its dignity, not by giving them the kind of films they expect from us, but by making cinema in a way that carries the legacy of the mainstream masters forward.
When you get into Indian top-order, you can wreak havoc. It's paramount to rattle the Indian top-order, otherwise, they can hurt you.
When you shoot a scene, you remember every moment. You remember when your head went down, your head went up. You don't see little quirks, little eye movements, little lip movements. Once again, you become completely vain when you're watching it in a way that you weren't when you were shooting it. And the vanity, what it makes you focus on are everything that has nothing to do with the scene and everything to do with your own ego.
Are you ready to cut off your head and place your foot on it? If so, come; Love awaits you! Love is not grown in a garden, nor sold in the marketplace; whether you are a king or a servant, the price is your head, and nothing less. Yes, the cost of the elixir of love is your head! Do you hesitate? 0 miser, It is cheap at that price!
I love actors and I understand what has to happen within a scene. Any scene is an acting scene and actors never act alone, so there has to be an interchange. If it's a dialog scene, if it's a love scene, it doesn't matter because you need to establish a situation.
One of the things you do, when you have a scene or whatever it is you're doing, I replay that scene in my head and pick different positions to watch it from in my head.
In the history of Indian cinema I am the only South Indian director who has survived for 12 years and 25 films in Bollywood.
Conventional Indian cinema is about people falling in love. They sing, they dance.
Indian cinema is entertaining, and what I love most about it is the songs and dances in the films.
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