A Quote by Baz Luhrmann

I feel funny about owning art. I don't really want to say: 'Wow, come and see my Monet - it's in a dark room at the bottom of my cellar.' — © Baz Luhrmann
I feel funny about owning art. I don't really want to say: 'Wow, come and see my Monet - it's in a dark room at the bottom of my cellar.'
I feel funny about owning art. I don't really want to say: "Wow, come and see my Monet - it's in a dark room at the bottom of my cellar."
I think a lot of people are involved in art because of the fashion of art and the conversation. It gives them a certain sophistication, something to speak about. But art is, if it's conceptual, really about understanding the concept. And if it's beautiful, it's about seeing the beauty. It's gone much further than that now. There's too much commercialism attached to art. If the market cracks one day big-time, you'll frighten so many people away who will never come back. Because they don't really feel for art. People who buy art should want it because they love it, they want to enjoy it.
You see, Greg, my mother is going through a feline phase. Blinky is a Persian,' Hale said simply, as if that should explain everything. 'Binky has a nasty habit of shedding all over the living room furniture, you see.' Gregory Wainwright nodded as if he understood perfectly. 'And so we had to get new living room furniture, which, unfortunately, does not go with the Monet.' Kat stood there for a moment, staring into that small window of the world where someone would tire of a Monet simply because it clashed with the couch.
I can understand that an audience, buying a ticket to see a picture of mine, wants to see something funny because they feel confident that at least I have a fighting chance to make a funny film when I make a film, whereas if I make a dramatic film there's one chance in a thousand that it's really going to come out great, so I understand how they feel about that and they're completely right.
I'd love to give my music to someone who really likes to wow the crowd. I feel like half the time I just want to hide in the dressing room!
I should say upfront that I have never been in a cellar in my life. In fact, I can see no reason why anyone should ever go into a cellar unless there is wine involved.
I always feel like if someone has stage fright, I really try and say, "Listen, these people want you to succeed, they want to have a good evening. They want to see something really great. They don't want to see something crappy. They don't. They want to be at something really special."
Writing about something specific, in my mind, was overwhelming, so I wrote about art because I love art and I know I can say a couple of funny things about art.
All that you touch All that you see All that you taste All you feel. All that you love All that you hate All you distrust All you save. All that you give All that you deal All that you buy, beg, borrow or steal. All you create All you destroy All that you do All that you say. All that you eat And everyone you meet All that you slight And everyone you fight. All that is now All that is gone All that's to come and everything under the sun is in tune but the sun is eclipsed by the moon. "There is no dark side of the moon really. Matter of fact it's all dark.
I think I first encountered Ebola from the movie 'Outbreak.' Then there was the book 'The Hot Zone.' It's the type of thing you either read and say, 'Oh wow, that's terrifying,' or you read it and say, 'Oh wow, I want to do that.' I read it and said, 'Oh wow, I want do that.'
I take a lot of pride in managing to be funny without having a victim at the end of my joke. I laugh at a really dark joke as much as the next person, but my jokes, I feel, don't have to hurt anybody to be really funny.
What is the art experience about? Really, I'm not interested in making Art at all. I never, ever, think about it. To say the word Art, it's almost like a curse on art. I do know that I want to try to get closer to myself. The older I get, the more indications I have about what it is to get closer to yourself. You try less hard. I just want to be.
After so many years of being rejected and having my body scrutinized... for Aerie to come along and basically say, 'We accept you. We don't care about your size.' To see those pictures on a Times Square billboard, and they were completely unretouched, I just was like, 'Wow. I finally feel good enough!'
In the dark you can feel really close to a person. You can say whatever you want.
I feel like fans really want to spread the word about the band. I guess when you've done three records, you feel that you really start to appreciate it. We're looking at it all and it's just like, wow. You appreciate it differently when you work hard for it.
If you buy a Cartier ring you want people to know it is a Cartier ring or a diamond, or a piece of art that's giving an emotion - then people read it and say, "wow that's really amazing". With prêt-à-porter you see people in the street, in a club, in a restaurant or whatever, and you think, "Oh my god, he's wearing my trousers!" In a way it's more open - people can put together the way they want - mixed with other designers.
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