A Quote by Barry Levinson
If you create a visual that actually captures the imagination, that's not real. It will look real, and that will spread at such lightning speed that by the time it's found out, it has already done its damage. It's a very, very scary time that we're living in. I say it's an age of absurdity.
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As with real reading, the ability to comprehend subtlety and complexity comes only with time and a lot of experience. If you don't adequately acquire those skills, moving out into the real world of real people can actually become quite scary.
Our lives aren't even about doing real things most of the time. We think and talk about people we've never met, pretend to visit places we've never actually been to, discuss things that are just names as though they were as real as rocks or animals or something. Information Age - Hell it's the Imagination Age. We're living in our own minds. No, she decided as the plane began its steep descent, really we're living in other people's minds.
Most of the time, when I'm writing, I'm writing for myself. I'm thinking, 'What will my character say at this time? What will come out of her mouth?' I create individuals so real to me, I sometimes start talking to them. Then I let them loose on the page.
I can be overly confident at times, but with someone who I'm very close to, like with my mother, I will break down. In real life, people will find out that I'm not actually that confident and that I'm a real guy underneath it all.
I really like the stuff that is very absurd and very real at the same time. I think Anton Chekhov is the greatest comedy writer of all time. I think he would make a great addition to The Office staff. If you look through Chekhov plays there is a lot of awkward pauses in there. His mixture of pathos, absurdity, truthfulness and whimsy is just mixed together perfectly.
I look at a show like 'Roseanne.' That's super influential on me. It's very funny, very real, with real problems. That was a big influence, and I don't know if you see that all the time in the network world.
When I create characters, I create a world to inhabit and they begin to feel very real for me. I don't belong in a psych ward, I don't think, but they become very real, like my own family, and then I have to say goodbye, close the door, and work on other things.
Big Data allows us to see patterns we have never seen before. This will clearly show us interdependence and connections that will lead to a new way of looking at everything. It will let us see the ‘real-time’ cause and effect of our actions. What we buy, eat, donate, and throw away will be visual in a real-time map to see the ripple effect of our actions. That could only lead to mores-conscious behavior.
Living is very serious, very real. It is also always a game. If we are wise, it is very real, very terrible, and very lovely, and a good deal of fun.
The speed with which WikiLeaks went from niche interest to global prominence was a real-time example of the revolutionizing power of the digital age in which information can spread instantly across the globe through networked individuals.
A scary movie puts a lot of people, a mob, in one place. There are advantages to that because the panic runs through the audience. If it's a good movie, the fear jumps from one person to the next. You can find yourself screaming just because everybody around you is screaming. There's a real atmosphere of terror. It's also visual, which means that you can't look away from this thing - it's happening. You're in the dark. It's like a nightmare. It's like a dream. It's very, very visual. It works on all those levels.
Kyoto is dead and has been dead, but that doesn't mean that it hasn't done some real damage and won't continue to do some real damage," "If global warming turns out to be a problem, which I doubt, it won't be solved by making ourselves poorer through energy rationing." "It will be solved through building resiliency and capability into society and through long-term technological innovation and transformation.
For example, you now look at pictures from 1968, they are hugely misleading in terms of standing in as an absolute image of the time. Because maybe two percent of the people looked the way that we now associate with that time. I was also aware that what I was aiming for is an idealized, utopian version of how people could be together. I found photography to be a very powerful tool because as long as it looks real, it is perceived as real.
I have a crazy imagination, and it's a visual one that can be scary from time to time.
It's time to focus on real solutions that will create jobs and build our economy for real strength and stability - not just for the fortunate few, but for every American.
It's easy to say that entrepreneurs will create jobs and big companies will create unemployment, but this is simplistic. The real question is who will innovate.
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