A Quote by Barry Levinson

I don't know what Bruce Willis has done in real life. We know actors have certainly had tirades - that's for sure. I never had troubles with him, but the big issue is really less about what Bruce is, as opposed to - this behavior has taken place, and sometimes it came out at something that had credibility, as opposed to, "No, I want to be fat and have a beard." Other people say, "I don't give a damn about the credibility. I paid $20 million. I want to see a movie star."
I do get starstruck working with Bruce because even though he is such a nice guy he's a real movie star. I grew up watching his movies it is just really hard to get used to just being around Bruce Willis. I mean, he's Bruce Willis!
Die Hard With A Vengeance shooting was a great time, because we had an interesting script. The first script was called Simon Says, and something was going on, because some days we'd get to work, but we wouldn't actually have dialogue. We would go to Bruce's Willis trailer, and they'd say, "Okay, you have to go from 168th Street to 97th Street today. We're going to do it in the cab, and Sam, you say this. Bruce, what do you want to say?" And that's how Bruce's "hey, Zeus!" thing came up.
It's funny; we never had anything like credibility. Even though we all have some sort of punk-rock background, but so what? I really don't care about that. What's credibility anyway? Who has credibility?
Bruce Willis is Bruce Willis in every single movie I've seen him in, except 'Death Becomes Her' and 'Mortal Thoughts,' which is another movie he was in that was very different from what he normally does.
Credible reports came through that Syria had used chemical weapons. Whether it's true actually is still open to question, but it's very probably true. At that point, what was at stake was what is called credibility. So if you read the political actors, political leadership, foreign policy commentary, they constantly point out accurately that US credibility was at stake, and we have to maintain US credibility. So therefore something had to be done to show you can't violate our orders.
Honestly, I was so happy for Bruce because I loved Bruce... and Bruce felt like my brother. You know, I wanted him to be OK, and I was just thrilled he'd found someone who had four children and someone who understood what it was like to be a parent - you know, just to have that great family life again.
It was weird working with all of them - Stallone, Schwarzenegger, Bruce Willis, Chuck Norris. There's a sequence in the movie where myself and Jean-Claude Van Damme are running through this airport and there's this silhouette behind this big screen - it smashes, and there you see Schwarzenegger, Stallone, and Bruce Willis all firing their weapons at me and Jean-Claude. It's kind of surreal when you think about it, the three '80s icons of action movies, unloading as many bullets as they could at us. It's pretty crazy.
He was about to go home, about to return to the place where he had had a family. It was in Godric’s Hollow that, but for Voldemort, he would have grown up and spent every school holiday. He could have invited friends to his house. . . . He might even have had brothers and sisters. . . . It would have been his mother who had made his seventeenth birthday cake. The life he had lost had hardly ever seemed so real to him as at this moment, when he knew he was about to see the place where it had been taken from him.
You may be right that people say: 'You know what, we had Obama. He was inexperienced. The guy had great rhetoric, sounded good, looked good, but has turned out to be an utter disaster. I want someone where I have confidence and credibility that they're up to the job and that I can trust what they tell me.'
You may be right that people say: You know what, we had Obama. He was inexperienced. The guy had great rhetoric, sounded good, looked good, but has turned out to be an utter disaster. I want someone where I have confidence and credibility that they're up to the job and that I can trust what they tell me.
I had been around Bruce Willis for two straight movies, so I saw the way the paparazzi follows him and the way the public is with him. He's a mega-star over in Europe.
The person that made me want to make movies, and the reason I do films, is Bruce Lee. He was an incredible actor, and he had a lot of charisma. Handsome, action, you know, everything was there. I loved Bruce Lee.
I think with empathy... It's more looking out at the people. And that includes the Republicans, you know the people that might be opposed to us. Trying to understand why is it that they want what they want. And then how do we find common ground. I mean sometimes there is no common ground to be had if it's only about profit.
Working with Bruce Willis makes my career authentic. I may not get an Oscar, but I worked with Bruce Willis. That matters more to me.
You shoot this and it always has something of yourself - sometimes it's more and sometimes it's less. I think after the shooting it depends on who your character is. You definitely learn something about yourself, or you get to know sides that you knew you had, but you had never activated or triggered in a way that allowed you to let them out. Bad and good, all of this is in all of us. But you definitely meet another side or a quarter or ten percent of yourself that you had an idea of, but never really knew about.
I'm more interested in talking about what I do. And I don't think people are interested in my personal life. I've never had a Hollywood life. I've always been a worker. But it's true: If you know something about a person outside of the movie that is really repulsive to you, it's hard to shake. So I prefer to do my speaking through the work. I don't want people to know anything about me, because that's not important. I'm more interested in the me that takes shape through these characters. The other stuff is personal and too easy to trivialize out of context.
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