A Quote by Bryan Konietzko
We're definitely still interested in the Avatar/Korra universe and fantastical world building in general, but I think many of the core themes and tones found in our two kids' series would be present as well in any sort of adult dramas we might be lucky enough to make in the future.
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Building upon the world we created with 'Avatar' has been a rare and incredibly rewarding experience. In writing the new films, I've come to realize that 'Avatar's world, story and characters have become even richer than I anticipated, and it became apparent that two films would not be enough to capture everything I wanted to put on screen.
People often say, with pride, 'I'm not interested in politics.' They might as well say, 'I'm not interested in my standard of living, my health, my job, my rights, my freedoms, my future or any future.' ... If we mean to keep any control over our world and lives, we must be interested in politics.
I'm definitely a fan of sort of dramas, independent sort of social dramas where you play really challenging roles. Every actor wants to play those dark roles and it's definitely true for me and I'd love to kind of challenge myself in any way possible.
I'm always sort of looking for projects that I can sort of put out into the world, into the public sphere, and to somehow cause an effect. I want to be able to create projects that sort of are going to make people think and think in this sort of magical, sort of fantastical way.
If you are not lucky enough, you can't reach the future! You might be very intelligent, you might be very talented and a very good planner, but you still need 'luck' to reach tomorrow, you still need to be lucky to reach the future!
I think there are definitely two types of student: the academic kids and the 50% who fail. It's very clear to see - it's fact. We're not doing enough for those who fail; they need a more physical, tactile approach, involving people skills, team-building, problem-solving, building things.
I think I'm interested in these kinds of character dramas, psychological dramas, domestic dramas, whatever you want to call them - comedy dramas.
There is a core value I wanted to illuminate: No matter what kind of family you have - straight, gay, married, single parent, separated, no kids, two kids, 20 kids, whatever - we all go through the human comedy. But if the bonds are strong enough, and the desire is there, you can get to the other side, still together and still a family.
What's interesting to me is how many vampire/urban fantasy authors are writing young adult series as well, often set in the same world as their adult books, but focused on a younger audience.
Many of the deficiencies of our economic system could be alleviated if ways were found to broaden the ownership of the means of production... This has happened in some companies through ESOPs. Successful approaches of this sort would pay dividends in terms of employee commitment and morale. And they would not deprive anyone of his present holdings since they are based on future growth.
If you're a person and care about other people - I don't think I have any sort of special understanding or anything, I think any feeling person would experience similar things if given the same opportunities to see the things I've been lucky enough to see and meet the people I've been lucky enough to meet.
I think so many of the themes from the natural world mimic emotional themes in our lives.
I don't think of myself as having a particular role. I'm lucky enough to be able to make my living essentially by expressing my opinions. But, you know, I think the world would manage quite well if I weren't doing it.
Well, I never got into the young adult headspace. With 'Twilight,' they are pretty adult themes, aside from maybe the first one, but even that. They're very adult themes, actually, particularly as the characters age. I never wrote for young adults. I wrote for myself, as an audience.
I think the first time you have to change code you’ve written previously, to add features or remove a bug, you realize that you could have done it better in the first place, that you could have found an architecture that would make it easier to transform and grow the code. And this is terribly seductive—you’re not just building a solution to a problem, you’re potentially building a beautiful solution, with ‘beautiful’ here being defined here by an aesthetics of present and future functionality. This can be a trap.
Man can only be certain about the present moment. But is that quite true either? Can he really know the present? Is he in a position to make any judgment about it? Certainly not. For how can a person with no knowledge of the future understand the meaning of the present? If we do not know what future the present is leading us toward, how can we say whether this present is good or bad, whether it deserves our concurrence, or our suspicion, or our hatred?
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