A Quote by Brian Hodge
My first crime novel, "Wild Horses," sold at auction, and that changed my life at an ideal time.
Related Quotes
Since humans first huddled around campfires, stories have been told of wild horses with wind in their manes, fire in their eyes and freedom in their hearts. Those horses eluded capture, and scorned the comforts of civilization. Americans have insisted they want their wild horses to live that way, forever.
I was a late bloomer. I was 38 when my first book was out and 43 when my first crime novel was out. I had a story that could only be told as a crime story. I think the genre is good; it deals with the fundamental questions of life and death. The problem is there are too many bad crime stories.
The first time I read a crime novel - I think it may have been an Elmore Leonard book - it took some time for me to realise how the genre worked. There were about 20 characters on the first page, and I wasn't used to this. I started to enjoy it when I saw that was how crime books worked.
Harry is heavily into camping, and every year in the late fall, he makes us all go to Assateague, which is an island on the Atlantic Ocean famous for its wild horses. I realize that the concept of wild horses probably stirs romantic notions in many of you, but this is because you have never met any wild horses in person. In person, they are like enormous hooved rats. They amble up to your camp site, and their attitude is: We're wild horses. We're going to eat your food, knock down your tent and poop on your shoes. We're protected by federal law, just like Richard Nixon.
We're more familiar with what economists call an English auction - prices start low and rise as people bid. However, there is also the Dutch auction, where prices start high and go lower until somebody bites. Movies are sold to the audience via a very slow Dutch auction, where each phase between price drops can last weeks or months.
The corncob was the central object of my life. My father was a horse handler, first trotting and pacing horses, then coach horses, then work horses, finally saddle horses. I grew up around, on, and under horses, fed them, shoveled their manure, emptied the mangers of corncobs.
I sold my first short story while I was home on maternity leave, then began working on novels. Since I was reading and enjoying romance novels at the time, the first two unpublished manuscripts I wrote were both romances. I sold my third novel, 'Call After Midnight,' to Harlequin Intrigue after submitting it unagented.
This first print run of the first edition of my first novel, 'When The Lion Feeds.' back in 1964, is so rare it can fetch several thousand pounds at auction. I always wanted to be an author, and I decided to write about what I knew.
'The Turnaround' isn't even really a crime novel. But you need conflict to make a novel, any kind of novel, and I don't know any other way to do it than crime.
It seems to me that one of the things that happened with a lot of literary fiction in the 1980s and 1990s was that it became very concerned with the academy and less with how people live their lives. We got to a point where the crime novel stepped into the breach. It was also a time when the crime novel stopped being so metropolitan.
If I can give a young author any advice, whatsoever, never let anyone announce the film sale of your first novel. Film rights are sold to almost every novel, but it shouldn't be the lead story in your first engagement with the press. Then you end up getting reviews like "a novel made for the screen" and things like that.
There was a time, after I earned my graduate degree and before I sold my first novel, when it looked like I might have to get an office job.
I've been selling things all my life. I sold wrestling for a long time. I sold the talent and sold the matches.
I tell people the first time I decided to write a novel I was in my mid-20s, and it was, 'Well, it's time to see if I can do this.' I basically flipped a coin to see if I was going to write science fiction or if I was going to do a crime novel. The coin toss went to science fiction.
I wrote 'Don't Look Back' in November 2011, and when I wrote the novel, it wasn't contracted, so there was a freedom in that - no expectations or anything like that. It was also my first contemporary novel I'd written and sold, which was to Disney/Hyperion in January of 2012.
The Chicago Way is a wonderful first novel. Michael Harvey has studied the masters and put his own unique touch on the crime novel. This book harkens the arrival of a major new voice.
