A Quote by Brenda Ueland
Know that it is good to work. Work with love, and think of liking it when you do it. It is easy and interesting. It is a privilege. There is nothing hard about it but your anxious vanity and fear of failure.
Related Quotes
Know that it is good to work. Work with love and think of liking it when you do it.
Hard work is about risk. It begins when you deal with the things that you'd rather not deal with: fear of failure, fear of standing out, fear of rejection. Hard work is about training yourself to leap over this barrier, tunnel under that barrier, drive through the other barrier. And after you've done that, to do it again the next day
If you work hard at anything, you're going to experience some success. And the greatest gift is when you have something you really love to do and you can integrate that into your work life. I feel like it's a real privilege that I get to do something that is good for my community and good for the world. But it's also pleasurable for me.
Dealing with failure is easy: Work hard to improve. Success is also easy to handle: You've solved the wrong problem. Work hard to improve.
Nothing comes easy. I know that people joke all the time and try to figure out, you know, what it is that I do, but I work really hard. I get up every day at 5 a.m. and start my day. I think as long as you work really hard and figure out what you want to do and stay motivated and have a plan and stay committed - just don't be lazy. That's my best advice. It's the most simple advice, but it really worked for me. I think that for some reason, I see people that think things will come easy and it doesn't really come easy.
I know that I'm going to have to work hard, keep working hard, and not because of this victory think, 'I'm back.' I don't think like that. I'll definitely work hard. Things are not going to be easy. I might lose first round next week. You never know.
"I know that I'm going to have to work hard, keep working hard, and not because of this victory think, "I'm back." I don't think like that. I'll definitely work hard. Things are not going to be easy. I might lose first round next week. You never know."
I don't think you can create anything interesting from a comfort zone. You have to work from a place of fear and failure.
I’ve learned that possibly the greatest detractor from high performance is fear: fear that you are not prepared, fear that you are in over your head, fear that you are not worthy, and ultimately, fear of failure. If you can eliminate that fear—not through arrogance or just wishing difficulties away, but through hard work and preparation—you will put yourself in an incredibly powerful position to take on the challenges you face.
I think everyone shares a fear of failure - that you're only as good as your most recent collection. That's definitely a fear, but it's a fear that fuels me, that makes me want to work harder, that makes me take on more challenges.
Work begets work. Just work. If you work, people will find out about you and want to work with you if you're good. So work anywhere you can. That's why I've changed my mind about these theatres where people work for free or have to pay money. I think it's kind of terrible that they feel they have to, but you know what? They're working.
I love what I'm doing most of the time, but it's hard work. People only see your albums in the charts. They see us at award shows and after-show parties. They don't know about your doubts, the hard work that goes in.
I measure the success of my work by the way I feel about a film before anyone else has seen it. I think I can trust myself to know when the work is good and deep and interesting and when it isn't.
My grandparents taught me about hard work, about fear of failure.
And I think a good writer's gonna make it interesting. From the first paragraph it will all be interesting. Just work at it and work at it and work at it.
Work with good directors. Without them your play is doomed. At the time of my first play, I thought a good director was someone who liked my play. I was rudely awakened from that fantasy when he directed it as if he loathed it. . . . Work with good actors. A good actor hears the way you (and no one else) write. A good actor makes rewrites easy. A good actor tells you things about your play you didn't know.
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