A Quote by Vijay Krishna Acharya
I used Malta as a location to shoot a lot of my action sequences, and that's because we don't have the kind of setup that Malta Film Studios does. They have a world-class facility.
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Thankfully, we didn't stop at Malta. I think Malta was thankful, too.
The assault on Malta will cost us many casualties...but...I consider it absolutely essential for the future development of the war. If we take Malta, Libya will be safe.
No more let us alter or falter or palter. From Malta to Yalta, and Yalta to Malta.
As soon as I landed at Malta I found that though I could go to Tunis I could not go away without being quarantined for ten days and if I remained in Malta I must stay a week.
I think Malta is great for a song. It's got very nice and narrow roads with beaches. So if you personally ask me, I would shoot action there. It can be very exciting since there's water all around and there can be boat chases. Even travel films like 'Before Sunset' can be shot there.
Well, you always discover a lot in the editing room. Particularly the action, because you have to over-shoot a lot and shoot an enormous amount of material because many of the sequences have to be discovered in the editing and manipulation of it.
Malta is the only country in the world where the local delicacy is the bread.
In Malta, it's so hot, you wouldn't believe.
Malta is a sod of a place.
The pursuit system is an ideal way to shoot action sequences. It enhances the picturisation and captures the scene so well that the audience can feel the thrilling speed of the chase sequence in the film. 'Dhoom 3' is the first Hindi film to use this technique.
Working on a film, the setup for an action sequence takes a long time, and we need to shoot the scene many times to get different angles.
When my senior prom was happening, I was in Malta filming 'Troy.'
When my senior prom was happening, I was in Malta filming 'Troy.
I was born in Argentina, and have lived in England, Ireland, Africa and Malta.
Something that 'Game of Thrones' always does successfully is that action sequences are never just action sequences. There's always a point of view, and you're always identifying with one person or one group of people.
Shooting against greenscreen... my choice of filming is, like, I'd rather shoot on location than shoot on a set, and I'd rather shoot on a set than shoot against greenscreen. You start stripping away the layers of reality, and it becomes a lot less fun to actually film.
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