A Quote by Vikramaditya Motwane
Personally, the films I love include 'Black Friday,' 'Lage Raho Munna Bhai,' 'Love Sex Aur Dhoka,' and 'Zindagi Na Milege Dobara' because they work at the box office and are complete packages.
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Everything I do is gauged under the shadow of 'Dil Chahta Hai.' Even 'Zindagi Na Milegi Dobara' and 'Rock On,' which are very urban films. So I am always seen through that lens.
The biggest hit of my life is Agneepath. My second is Zindagi Na Milegi Dobara and the third biggest hit is Dhoom 2
It's only over time that you get to exploring or adding nuances to the character. Like my part in 'Zindagi Na Milegi Dobara' - I am so not the person who wears high heels and totters about like a poodle.
When I saw 'Lage Raho Munnabhai,' I felt proud be a part of the industry.
Is there deeply embedded change within our industry? And I would say, as a black filmmaker, it's easy for me to focus my attention on black work, but true change would include brown work, and it would include work by Asian-Americans, and it would include natives, and it would include women, and it would include more LGBTQ voices.
Films have been my only passion in life. I have always been proud of making films and will continue taking pride in all my films. I have never made a movie I have not believed in. However, though I love all my films, one tends to get attached to films that do well. But I do not have any regrets about making films that did not really do well at the box office.
Like Ron Lorman's always sayin', "Na-na-na-na-na," you know what I mean? I don't need that in the studio.
You can never write off a good actor, look at Arshad Warsi, one 'Munna Bhai' and he's back in business.
Finally, after a long wait of 11 years, Murad Bhai came to me with a script, which I felt was worthy of taking 'Bhool Bhulaiyaa' forward as a franchise. I am thrilled to announce 'Bhool Bhulaiyaa 2' in association with Murad Bhai, together with whom we delivered the box-office hit 'Kabir Singh.'
I've been able to make some wonderful films, but sometimes you make films with great passion - great belief - and these films slightly don't work at the box office, and they become your favorite films.
The effort always remains that my new film outdoes my last in terms of performance and gets better box office success. Box office is the sole reason why I do films.
I was slightly disheartened when three of my films didn't work at the box-office. But the silver lining is that people did appreciate my work in those films. Had my performance gone unnoticed, I would've been in big trouble then.
I don't turn my nose up at anything. If it's a great part, it's a great part. It's not like, "I don't make studio films; I work for David Lynch and maybe a few American Playhouse directors, but that's it" - I'd love to do a box-office hit.
Love is the creative refinement of sex energy. And so, when love reaches perfection, the absence of sex automatically follows. A life of love, an abstinence from physical pleasures is called brahmacharya, and anyone who wishes to be free from sex must develop his capacity to love. Freedom from sex cannot be achieved through supersession. Liberation from sex is only possible through love.
As far as someone who I would like to work with - this is super out of the box, and I have put this on my Twitter - Pam Grier. I love her. I just love her fierceness, and she's kind of, for me, one of the first black superheroes. I would love to have a chance to work with her.
I hate how box office failures are blamed on an actress, yet I don’t see a box office failure blamed on men. I think a lot of the time in films, men get roles where they create their own destiny and women are just tools, supporters for that. I guess it’s because we live in a patriarchal society, where feminism is a dirty word.
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