A Quote by Wim Wenders
Many of the critics today get airline tickets, hotel accommodation, bags, beautiful photographs, gifts and other expenses paid by the distributors, and then are supposed to write serious articles about the movie.
Related Quotes
One very clear impression I had of all the Beautiful People was their prudence. It may be that they paid for their own airline tickets, but they paid for little else.
Just because someone isn't allowing you to pay for the date, it doesn't mean you can't contribute on some level. For example, if someone took you for dinner and a movie, they may have paid for the dinner, they may have paid for the movie tickets, but then you buy the popcorn.
I never liked the idea of bags. I would say, "Why do so many of my friends spend so much money on these bloody bags?" But once I started designing them, I was completely hooked. There are all of these blogs about bags. It's a whole other industry, and I'm really excited to be a part of it.
Actually, I never liked the idea of bags. I would say, 'Why do so many of my friends spend so much money on these bloody bags?' But once I started designing them, I was completely hooked. There are all of these blogs about bags. It's a whole other industry, and I'm really excited to be a part of it.
My new favorite thing is to wake up in hotel rooms, and write on the hotel pads. Usually, it's nothing. I leave it in a hotel and get really embarrassed about the maid picking it up, wondering what in the hell I'm talking about.
I pay parking tickets. You know, you can try to give 50%, but then they charge you all those penalties! Seriously, I have gotten many, many, many tickets in my life.
Friends open the door for me to write. Then I get paid attention to and it allows me to write other books. The Great Spring and the thirtieth anniversary of Bones just came out and while I'm happy and excited about that, I've already finished a new book. That's what practice does. You don't get caught.
I couldn't make myself write serious; I was surrounded by serious: in monographs, in articles, in my own dissertation prospectus, in the very earnest e-mails of students telling me just why that paper couldn't be in on time, cross their hearts and hope to get an A-minus.
There are many things I think about that never get to the point of becoming serious. In other words, I try to talk myself out of writing, sometimes for many years, and when I run out of arguments, I write.
For the first movie, they had the girls in one hotel and the boys in another hotel. Then, we found out that they actually preferred their hotel, so we moved over there and all hell broke loose.
There are very few distributors left to do off-Hollywood movies, and those distributors generally have got thousands of movies to choose from. So you're pretty lucky if you get one to even take your movie and it's pretty rare that they pay anything upfront.
Other people have hang-ups about what's literary or genre or whatever, and that's sort of not my problem. You're supposed to write what you have to write, and you're supposed to keep moving.
The manager, in today's world, doesn't get paid to be a steward of resources, a favored term not so many years ago. He or she gets paid for one and only one thing: to make things better (incrementally and dramatically), to change things, to act - today.
Most critics write critiques which are by the authors they write critiques about. That would not be so bad, but then most authorswrite works which are by the critics who write critiques about them.
With 'New Rose Hotel,' I knew that I was getting paid a $100,000 fee to write, produce, and direct, and that's all I was going to get.
I don't focus on the critics. Everyone who is making any difference in any field has critics. As long as I feel like I'm doing what I'm supposed to be doing, then I don't worry about it.
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