A Quote by Gavriel David Rosenfeld
What's interesting is that when you get into the post-war period, many of the narratives in books and movies conclude that if you killed Hitler, you're actually going to make history worse.
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The most interesting statistic, stunning statistic that came out of my research was that in 1942, as this war production effort is going on, the number of Americans killed or injured in war-related industries surpassed the number of Americans in uniform killed and wounded in action in the war by a factor of 20 to 1.
We normally think of history as one catastrophe after another, war followed by war, outrage by outrage - almost as if history were nothing more than all the narratives of human pain, assembled in sequence. And surely this is, often enough, an adequate description. But history is also the narratives of grace, the recountings of those blessed and inexplicable moments when someone did something for someone else, saved a life, bestowed a gift, gave something beyond what was required by circumstance.
War is an arena for the display of courage and virtue. Or war is politics by other means. War is a quasi-mystical experience where you get in touch with the real. There are millions of narratives we impose to try to make sense of war.
Anything about Iraq is a death sentence at the box office... You can't make movies about an unpopular war while the war is still going on - people don't want to pay to get depressed, though they sometimes will go to movies to get educated.
But we did conclude that Ray had actually killed Dr. King pursuant to his theory that he was going to be able to get hold of that money. He had learned of this offer through his ties in the Missouri State Penitentiary.
Ultimately, Boris Johnson and the political and financial support behind his Brexit project are probably the biggest threat to both British democracy and the post-war welfare state settlement we've faced in the post-war period.
'Collaborator' is a hostage tragicomedy, but it's also, kind of, everything I know about post-war America. Well, not everything, but it does reference a lot of the post-war period.
It took a generation of filmmakers who loved and were raised on comic books to make movies that you actually cared about and felt something for. I think that's absolutely the same with what's going on with videogame movies.
An extraterrestrial being, newly arrived on Earth - scrutinizing what we mainly present to our children in television, radio, movies, newspapers, magazines, the comics, and many books - might easily conclude that we are intent on teaching them murder, rape, cruelty, superstition, credulity, and consumerism. We keep at it, and through constant repetition many of them finally get it.
When people say 'Lysistrata' has always been seen as an anti-war play, what's interesting is to not make it an anti-war play, because I actually think there are important times to go to war in this world. That's just the reality. But what's interesting is the not caring.
Of course there are a lot of books that are interesting to make movies out of, but on the other hand, I think video games are also kind of like bestselling books for the younger generation, and the younger generation is the one going to the theaters.
We started America with the sin of slavery that led right into the post-reconstruction period which was the greatest period of domestic terrorism in our country's history. Then after that, we had Jim Crow emerge and just when the Jim Crow laws were ending came the onslaught of the drug war. Well, the drug war has so perniciously effected, insidiously infected communities of color that in some ways it has come full circle, and we now have more African Americans under criminal supervision than all of the slaves in 1865. This is a profoundly unjust war.
Ultimately, if you want to make movies, you've got to want to make movies every day, when people are paying you to make movies and when they're not, because you're going to get a lot more no's on this business, no matter what it is, than you are going to get yeses.
It seemed to me singularly ill-contrived for the British government to be going to war with Hitler when Hitler might have been about to attack the Russians, and even more ill-contrived that, when Hitler did attack the Russians, he had already defeated the French army. What I'm saying is that the war shouldn't have been started in September 1939...from the point of view of Britain, the war was really not a good thing and I would regard it as, in effect, a defeat.
I knew all the time I was going to get through the war. It was completely irrational, a silly idea, but I was not going to lie down and get myself killed. I was going to get out of it.
It's more interesting because you get to research the history of the period, and all the different aesthetic elements that make a film, particularly this film, so stunning.
