A Quote by Glenn Close
I think there's something thrilling about going into a movie house and seeing everything on such a huge screen. I think we're in a culture now that is confronted with various sizes of screens, the biggest movie houses and then the smallest iPods.
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The book can't compete with the screen. It couldn't compete beginning with the movie screen. It couldn't compete with the television screen and it can't compete with the computer screen I don't think. And now we have all those screens so against all those screens I think the book can't measure up.
It's tough to get any movie made, but unless it's a movie about race or culture or ethnicity, it's becoming less and less important who's playing what. You see that on the big screen and the small screen, and I think that's great. That's exciting.
I really love movie soundtracks and stuff like that. That's really a huge part of any movie. I actually think about... that this would be cool in a movie or something, like when I'm writing a song, or something you know?
Growing up, I was a huge fan of horror movies. There's nothing more fun than going into a movie with a smile because you know you're going to be scared to death. There's something thrilling about sitting there waiting for a scare to happen.
I always think that you finish one movie, you start a new one, and you think, 'OK. I did that last one. Now I've learned. I know how this works.' Then by the end of the movie, you think, 'No, I don't, really.'
I do think, even though I've made these genre movies, there's what happens in the movie and then there's what the movie's about. And for me, what the movie's about is so much more interesting.
My most enjoyable movie going experiences have always been going to a movie theater, sitting there and the lights go down and a film comes on the screen that you don't know everything about, and you don't know every plot turn and every character movement that's going to happen.
There's nothing more disheartening than seeing a movie and going oh, that doesn't work, or it didn't inspire us. Versus seeing a movie that is 'this is so awesome!'. Oftentimes, a really good movie just inspired you to go and make movies!
A debut movie is something that you envision for many, many years. If you really want to make a movie, you constantly think about this first movie, so when you make it, you want to have everything in it.
I think that's what we need more of: Asian-Americans on movie screens and TV screens where they're normalized. Where it's not about them being Asian or a person of color. It's just about them being a human. I think that's why sometimes when I see movies with an Asian family, but it's very stereotyped, I don't find that relatable.
What I try very hard to do is have an hour or so in the morning when I leave the house and don't have my phone with me. I'll go sit in a cafe and read and handwrite in my notebook and not be facing a screen. My head will be clear. I will be able to hear myself think. Because honestly for the rest of the day it's just screens, screens, screens.
What's cool is that in the story of the movie [The Hangover] our characters are also really kind of getting to know each other and bonding over the course of the movie. And I think you're seeing a real, a literal sort of friendship growing both in us as actors and on screen as characters.
I think Hollywood is an incredible tool to teach people. It brings stories and information to the television screen, to the movie theater screens, that people get to empathize with.
Every movie you're going to forget that it's 3D whether it's widescreen or whatever it is, you're going to forget everything if the movie is working. If the movie doesn't work or if the movie generically doesn't work then immediately you start to pick apart whatever has contributed to that.
'Paranormal Activity' had fifty versions because it was $250 to reshoot. We'd screen it, see one thing wrong, shoot for an hour, fix it, and then screen it again. You don't have to be disciplined about it. On a regular movie, you have to screen it and think of every problem, reshoot for three days and solve every problem, and then you're done.
You have no idea, especially in green screen, what movie you're doing. You really don't. And then, you see the movie and you're like, "Oh, my god, I'm on a cliff right now! I'm having sex right now! I thought I was dancing."
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