A Quote by Rain Dove

I just see clothing as cloth, and I see it as art, and I see it as a way to express yourself artistically in this world. — © Rain Dove
I just see clothing as cloth, and I see it as art, and I see it as a way to express yourself artistically in this world.
You're yourself," Tana said, grinning. "More purely yourself than anyone I know. And if you can't see who that is anymore, then see yourself the way I see you.
I don't have a favorite place to see art. I like to encounter it anywhere, museum, gallery, home, studio, street... I do prefer to see good art, when I see art, but it doesn't matter where I see it.
Each person may see a fight in different ways... They can see more to a primal way. Others they can see in a pure artistic way... For me I see the pure artistic way, the way that a true martial artist can show his art.
If you commit yourself to the art of poetry, you commit yourself to the task of learning how to see, using words as elements of sight and their sounds as prisms. And to see means to see something worth all the agony of learning how to see.
I think when you're collecting, the best advice is just 'see see see see.' The more you get used to the nuances of the art world and what people are doing and whose opinion matters, the more you can tune your own collection and know that these are works that do count; these are artists that will be of relevance tomorrow.
To know the self as the only reality and all else as temporal and transient is freedom, peace and joy. It is all very simple. Instead of seeing things as imagined, learn to see them as they are. When you can see everything as it is, you will also see yourself as you are. It is like cleansing a mirror. The same mirror that shows you the world as it is, will also show you your own face. The thought 'I am' is the polishing cloth. Use it.
See others as yourself. See families as your family. See towns as your town. See countries as your country. See worlds as your world.
You really see that the art world bends over for Hollywood sometimes, in this way that is really grotesque, and the other way around doesn't happen, which is too bad, especially if you consider yourself an artist, and that's what you care about, to see the people you admire and think about the most acting weird.
I like to see things. I see a lot more art than I'd like to see. We have to be polite and see the art shows of people we know. We see a lot of art.
In the absence of organized religion, the only vehicle for redemption is art - not just the fragmentary arts of painting or music or poetry, but the kind of art that creates a whole world in itself and in that world we see ourselves reflected and see our religious life perfected.
You see so many beautiful things happening in this world, and you see so many things that make you want to cry and crawl under a rock. But there's an underlying feeling of magic and mystery in everything that I live for. I feel like all of my art is trying to get people to see that underlying, subtle energy that lives within everything that we see and what we don't see in this world.
I see blindness more as an ability and sight more as a disability because there are some people with sight who tend to judge others by what they see on the outside but I don't see that. I don't see the skin color, the hair style or the clothing people wear; I only see that which is within a person.
I don't see myself in terms of artifice. I see myself as a real person who chooses to live my life in an open way - artistically.
When you are old you can look back and see yourself when you are young. It is almost like looking down from heaven. And you see yourself as a young woman, just a big girl really, half awake to the world. You see yourself happy, holding in your arms a good, decent, gentle, beloved young man with the blood keen in his veins, who before long is going to disappear, just disappear, into a storm of hate and flying metal and fire. And you just don't know it.
Not to make too much of a claim for poetry, but this is a question that goes to the moral heart of the business of any art: How do you see the world, and what right do you have to see the world in the way that you do?
Not to make too much of a claim for poetry, but this is a question that goes to the moral heart of the business of any art: 'How do you see the world, and what right do you have to see the world in the way that you do?'
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