A Quote by Gordon Bethune
But I like to think that a lot of managers and executives trying to solve problems miss the forest for the trees by forgetting to look at their people -- not at how much more they can get from their people or how they can more effectively manage their people. I think they need to look a little more closely at what it's like for their people to come to work there every day.
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I don't think people talk about mental illness a lot, but they need to know it's OK to talk about how they are feeling. People are afraid of telling the truth because they think it's going to hurt everyone around them. I've kept so much inside that I've literally lost it. I wish more people would get help when they feel like they need it-- not just to look to medicine, but to the support of others.
Frankly, I get much more sensitive about what's written about me than how I look in a photo. I'm so used to people seeing my image in plays and films that what they think about how I look is none of my business. If they says, "Hey, he doesn't look good," I'm like, Whatever, because I know I look different from day to day. But if you're up there putting your heart into something and people reject your performance, that's very painful. The written word can kick your ass.
President Obama and Hillary Clinton have, and Kerry have allowed tens of thousands of people into America. The FBI is now investigating more people than ever before having to do with terror. And it's from the group of people that came in. So look, look, our country has a lot of problems. Believe me. I know what the problems are even better than you do. They're deep problems, they're serious problems. We don't need more.
I think in Japan I think there is a lot of style and a lot of subcultures, but it will be interesting to see how much of them... how much of the people wearing those clothes are really expressing something about who they are or who they want to be and it will be very interesting to see, especially once you get there, once you get to a certain city like in Stockholm you really get to know the people a little bit and what they're saying through their clothes. It's more... To me I think it's much more interesting than just the clothes they're wearing or the length of the skirt.
I think as more people get more aware, people get more defensive. And when I say that, I mean people who are more privileged, like men. People will think that by pointing out patriarchy and an oppression, that means that all men are horrible people, and they'll write that on social media, and I think that's something that's increased.
When I was young I was on punishment a lot and I used to watch a lot of TV, and I asked myself a question: 'How come people like Mike? How come they like Magic? How come they like Bird? How come they don't like the big guys?' So I just throw a little bit of what they were doing. You smile, you act crazy and silly. And I think people like me because I'm different. I've always been a class clown type of guy. It comes natural.
When you're 21 you think, "Old people sound like this. Old people think like this." I don't think my ideas about aging and about eternal life changed that much, but it became more poignant to me as I did get older and I could better imagine, as you sort of inch closer to death every day, why legacy, more than aging, becomes important to people.
You're watching us and you don't realize how much makeup and how much lighting is involved when we look good. We have a lot of help where we are. I don't think that it's healthy for young girls to be looking at these beauty magazines and watching TV and these shows and thinking [that's the standard]… there's more European attitude - you look at French film, Spanish film, they're a little more open to quirks and human nature. That we're not all symmetrical, not all the same shape… we need more of that.
People think I work a lot more than I do. I think because you're in people's living rooms every day they're like: 'Oh my God, you're always on the telly,' but it's like, 'Yeah but you always have to go to work every day nine till five whereas I finish at 12:30 P.M. and then I'm home.'
Filmmaking materials are in the hands of more people now than ever before. I would like to think that the more people have these tools, the more people will learn how to use them, it's another argument I would argue for, personally, for art's education. Because there are kids who aren't that literate in screen language and they've got to know how people select shots, how people edit audio, how people combine things to make what they see on the screen. It would be like the 15th century or the 16th century in Germany, and somebody amends a printing press and you don't know how to read and write.
When people come to you with problems or challenges, don't automatically solve them. As a mama bear, you want to take care of your cubs, so you tend to be protective and insulate them against all those things. But if you keep solving problems for your people, they don't learn how to actually solve problems for themselves, and it doesn't scale. Make sure that when people come in with challenges and problems, the first thing you're doing is actually putting it back to them and saying: "What do you think we should do about it? How do you think we should approach this?".
I think preparing every week like it's the most important game in the world makes things a little easier once you get in situations where a lot more people are watching and it might be a lot more important for people outside of the building.
When I was in my early twenties, I fell in love at least 20 times a day. You have to be with someone where you think: if the world was full of people like you, I could not be monogamous. As you get older, you get to know yourself a little more. The older you get, the more you realize what you need. And you also realize how your choice in relationships is influenced by how you grew up. Now I feel like I've explored the dynamic of how I grew up, and I'm free to find someone who's really going to be a wonderful companion.
I think people who read Internet blogs are usually trying to fit it in during a busy part of their day, and there's only so much information that you digest. Whereas an experience with a book is a little more comfortable, and I think people are a little more willing to really delve into information.
I think 'Shade Room,' it's a different me. You know, I think it's more on the lyrical side, talking about my life and how I really feel. You know, all these things outside of football. And people really get to look at how I feel about things or how I look at certain things. It's not just a song, more so me just telling people how I feel.
I don't happen to like pretty things. I don't like pretty dresses. I like more attractive. I like people that look a little bit more offbeat. I don't like the classic pretty face. That doesn't mean it's not pretty or it's not wonderful, and most people don't agree with me, but that's the way I think.
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