A Quote by Darius Khondji

I've learned one general thing in filmmaking: to work with one strong idea. One strong concept that pushes you to work in a certain way artistically. — © Darius Khondji
I've learned one general thing in filmmaking: to work with one strong idea. One strong concept that pushes you to work in a certain way artistically.
The way Electronic Dance Music [EDM] is manipulated and exported to the world is a very strong, and "total" concept. But it's not that interesting artistically. EDM is seen by some media as a kickstarter for kids who have no idea how deep dance music can go.
When I was younger, I enjoyed being strong, and I loved it when my heart was very strong, but I think it was also about submitting to the cultural idea that if you're a 22-year-old woman, you have to look a certain way. I'm not into that anymore. But I do appreciate it when my clothes fit.
General Grant had no fixed plan of campaign beyond the general idea to avoid the strong defensive line occupied by General Lee behind Mine Run, and find a way to draw him out to open battle.
Where there is no power, there is never any desire to do that thing; and where there is strong desire to do a thing, it is certain proof that the power to do it is strong, and only requires to be developed and applied in the Right Way.
I don't like that we repeat a certain expression over and over again because I think it narrows the way that we look on the world. I also think that there is a certain responsibility if you work with moving images because it's so strong in creating behaviour; it's so strong in creating the way that we look on the world, so for me it's very important that I create images that I have an experience of or is something that I think exists in the world and not just in cinema.
I kind of like the idea of taking a concept and going all the way with it, even if it's not completely plausible. It's something that I like about making movies. You have a concept that maybe would not work in real life, but you can make it work in the world you're creating.
At Hermès I learned, maybe more than anywhere else, how to work around a legacy, and how to integrate a strong brand culture into my work. Also, to work with a completely different projection system and craftsmanship.
When you're working on a creative thing, everyone has an idea, and they're pushing it. The first time you work with anybody, you have to get comfortable with the way another person pushes hard for what they want.
The songs that work best are broad lyrically and have one strong concept in the metaphor.
I think that the thing that is really strong with 'The Hunger Games' is just that it comes from a very strong idea.
The best thing about where comedy is now is if you have a little bit of talent and a strong work ethic, and strong social skills, you can make a name for yourself and you can make money.
I think my favorite role was playing Sarah Baker in 'Cheaper by the Dozen 1.' It was my first movie, and I worked with amazing professionals who had such strong work ethics that I immediately learned how to work in this industry.
What I had heard about TV is that it's very rigid - that you have to hit your mark, look a certain way, do certain things, that there is no freedom artistically - and that's my worst nightmare. I don't work well in rigid environments.
There's a nimble quality to the way a television actor can work. When that muscle gets strong it's a very valuable thing.
People have been very strong against Obamacare since I was first elected, and they still feel that way. They want us to work to get rid of it. They also are very strong for keeping the government running.
It was always important to me to be confident and strong with myself. It didn't happen overnight, but I've learned that the only way you can start to control things is if you feel a certain way about yourself.
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