A Quote by Derek Cianfrance

Seeing 'The Gospel According to St. Matthew' was an extraordinary experience because it made me realise that all the biblical stories and images I'd ignored as a child had sunk in by osmosis. I saw that my childhood was deeply rooted inside me.
When people think of biblical movies, they imagine sweeping epics like 'The Ten Commandments.' But 'The Gospel According to St. Matthew' is essentially a documentary about Jesus. It made me aware of how real life and personal experience can create more breathtaking, sensitive cinema than more sophisticated techniques.
What is the Bible in your house? It is not the Old Testament, it is not the New Testament, it is not the Gospel according to Matthew, or Mark, or Luke, or John; it is the Gospel according to William; it is the Gospel according to Mary; it is the Gospel according to Henry and James; it is the Gospel according to your name. You write your own Bible.
It's important, though, that there are not "four gospels." There is only one gospel: the good news of what God has done through Christ to save the world. But we read that one gospel in four complementary accounts: The gospel, according to Matthew, according to Mark, according to Luke, according to John.
My childhood was extremely lonely. I was dyslexic and lots of kids make fun of me. That experience made me tough inside, because you learn to quietly accept ridicule.
One of the most persistent images in American urbanism is that of the proverbial city on a hill, as first envisioned on these shores by the Puritan John Winthrop, via the Gospel according to Saint Matthew.
'Crash' came from personal experience. I saw things inside me from living in L.A. that made me uncomfortable. I saw horrible things in people and saw terrible things in myself. I saw a black director completely humiliated, but the three people around me just thought it was funny. 'No,' I said, 'that is selling your soul.'
It is inaccurate to think the gospel is what saves non-Christians, and then Christians mature by trying hard to live according to biblical principles. It is more accurate to say that we are saved by believing the gospel, and then we are transformed in every part of our minds, hearts, and lives by believing the gospel more and more deeply as life goes on.
I began to read for myself and realised that here was somebody who could teach me profound biblical theology, get inside my heart with his spiritual analysis, and help me to become a minister of the gospel, which is what I wanted to be.
Pantaenus was one of these and is said to have gone to India. It is reported that among persons there who knew of Christ, he found the Gospel according to Matthew, which had anticipated his own arrival. For Bartholomew, one of the apostles, had preached to them, and left with them the writing of Matthew in the Hebrew language, which they had preserved till that time. After many good deeds, Pantaenus finally became the head of the school at Alexandria, and expounded the treasures of divine doctrine both orally and in writing.
Eating matzo ball soup for the first time was akin to a religious experience because of how deeply contemplative it was. It made me realise that something as simple as chicken soup - in any culture or religion, or through any perspective - can be very symbolic, nourishing and meaningful.
'Chocolat' was a sort of statement of my own childhood, recognizing I experienced something from the end of the colonial era and the beginning of independence as I was a child that really made me aware of things I never forgot - a sort of childhood that made me different when I was a student in France.
Seeing your music, how it actually affects people, it just encourages me to stay true to myself and write stories that I relate to and that are real to me, an experience that I've had.
I think I've had a lot of experience with watching other people shepherd my ideas with the 'Saw' films. They made four 'Saw' movies without me. I never really had a protective or fierce policy towards that. I let it go.
When I was at school studying biology, I wanted to be a medical researcher. I did work experience at St Mary's Hospital in London, and I begged them to let me see the post mortems. So the first time I saw a naked male was at 15, when I saw an 89 year old man who had died of a brain hemorrhage.
I had lines inside me, a string of guiding lights. I had language. Fiction and poetry are doses, medicines. What they heal is the rupture reality makes on the imagination. I had been damaged, and a very important part of me had been destroyed - that was my reality, the facts of my life. But on the other side of the facts was who I could be, how I could feel. And as long as I had words for that, images for that, stories for that, then I wasn't lost.
All of my work in some way or another speaks to political issues according to the upbringing that I had, which was deeply rooted in principles.
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