A Quote by James Gunn

Honest to God, for me, I've never been a guy to stack projects. A lot of these other guys, they like to do this and then line up what they're doing next and line up what they're doing next. I just can't do it.
I've never been the guy who tried to line up three or four projects down the road. I like to find one piece that speaks to me and then pour my heart and soul into it. Then I come home, recoup, and relax.
Big Foster is a guy who was in line to be the head of this clan that's been up in the mountains for 200 years, because his father was the leader or the Bren'in, his mother is now Bren'in, and they're kind of royalty, so he was in line to be next. He'd been promised it from a young age, but it just hasn't happened.
We live in an age where quantity is seen as preferable to quality, and many people tend to work in a horizontal line: next, next, next. But if you do that, you never investigate the vertical line - the depth of the piece.
I've never really been star struck. I was a little bit taken aback when I was doing a chat show recently and I was sat in the make-up chair chatting to a guy say next to me but I couldn't look round and see who it was, it was only when I got up I realised it had been Bryan Adams I'd been talking to!
Fighters don't just fight. Not the good ones who have long, long success. The guys who make championship runs. The guys who fight for world titles. They get fizzled out, chewed up and spit out like a revolving door and then the next guy or the next female comes in to take their spot.
And then I think they asked me to work on Wish You Were Here, which was the next album coming up. And I didn't do anything for a long time. I had other projects, and I didn't get around to doing anything for a bit.
Then I place the blade next to the skine on my palm. A tingle arced across my scalp. The flood tipped up at me and my body spiraled away. Then I was on the ceiling looking down, waiting to see what would happen next. What happened next was thet a perfect, straight line of blood bloomed from under the blade.The line grow into a long, Fat bubbel, A lush crimson bubbel that got bigger and bigger. I watch from above, waiting to see how big it would get before it burst. when it did, I felt awesome. Satisfied, finally. Then exhausted.
I can speak volumes about the guy sitting next to me. You look at his stat line tonight, he had a lot of foul trouble and didn't really get going, but when he was in there, he was defending. He was playing physical, and he was doing everything he could to help us win.
We're talking to New Line. They've got a couple projects they're interested in me doing and I'm having meetings at MGM. There's a lot of available projects.
I deliberate over the lyrics; I really do. I'll come up with one line in a day, and then it might be a couple of days before I come up with the rhyming line. It's never been easy for me.
I was in line at a store and there was a little girl, she was standing in line next to me and some other girls had come up to me and recognized me from 'Pretty Little Liars.' When they walked away, this girl was staring at me, and her eyes got so big, and she started crying. It was, like, the cutest thing.
In doing everything, from coming up with the ideas and putting them on paper till doing the final edits, you are always thinking the next three steps, you're always thinking what next, what next, what next?
I hung out a lot with the ring crew guys. I got along better with them then I did the other guys, the other talent. The guys that show up early in the morning and set the ring up and stay there all day and then take the ring down and drive five and six hours that night to get to the next show.
I do everything by hand... Even if I'm doing really big letters and I spend a lot of time going over the line and over the line and trying to make it straight, I'll never be able to make it straight. From a distance it might look straight, but when you get close up, you can always see the line waver. And I think that's where the beauty is.
I'll sing over some chords, searching, what does [the music] conjure up, where's the melody taking you? I deliberate over the lyrics, I really do. I'll come up with one line in a day, and then it might be a couple of days before I come up with the rhyming line. It's never been easy for me.
[Kyle Chandler] taught me how to listen very well and reacting. There's a lot of improv. And to be able to do that on the spot you really have to be in tune with what the other person is saying instead of just waiting for your cue line or waiting for a word for you to deliver your next line.
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