A Quote by Jason Bateman

There's this little recipe that you have to hit pretty well to get somebody to laugh. And it's a combination of the way in which you say something, with the facial expression that you have, married with the body language that you have, etc.
Just the fact that there's motion and sound, took me a long time on Walking Dead to get used to the fact that in television, characters don't have to say things. In comics, people have to say I feel this way, or I want to do this, and you can do so much with gesture and movement and facial expressions that you can do sometimes facial expression stuff in comics, but you can do so more if somebody can move around without actually speaking. That leads to a different style of writing between the two mediums.
American Sign Language requires a lot of facial and body expression.
Every big company has some little guy who is an enthusiast off in the corner working on technology. In Japan, it is integrated into their high-level strategy. They see it as a communication medium, because for them, just the words? - ?and this is the problem that they have with Americans? - ?just the words they say to you is not the complete message. Their facial expressions, their body language, there is a lot of context. Also, their written language doesn't translate to keyboards well.
A comedy can actually get funnier and funnier. Even though you know the joke, you enjoy it so much, it's the facial expression, you laugh. The laugh doesn't wear off. It could be with you for thirty years.
Once you know the fundamentals of cooking, then you don't need to follow a recipe - you just know what herbs go well or what meats, or what combination of what goes together, and then you can just branch out from there. But if there's something specific that I want to make, I work on the recipe and tweak it to my own.
Well to me the most interesting things can be an actor's facial expression, a gesture, the movement of a body - all those things that we are saying to each other in-between the words.
One thing I've been doing since I was a little kid and that's score touchdowns so if somebody needs somebody to get in the red zone and do some work, I could probably still do that pretty well.
I gave my artistic laugh and also threw in some quirky language for good measure. "Lawks-a-mercy, no! I'm going to have a long bath and..." I looked shyly down. Which is pretty impressive to have done artistic laugh, quirky language and shyness all in the space of ten seconds.
I never felt pretty. I don't feel pretty now. I'm not a pretty person. I don't like pretty. So I don't feel badly. And I think it worked out well, because I found that all the girls I know who got by on their looks, as time went on and they faded, they were nothing. And they were very disappointed. When you're somebody like myself, in order to get around and be attractive, you have to develop something, you have to learn something, you have to do something. So you become a bit more interesting.
I think the best thing about music is that someone could be writing a song that's so personal, and it tells so many other people's story at the same time. It kind of exemplifies that we are all kind of on the same wave[length] - it's amazing how comforting somebody else's story can be, because we have experienced their story in some way or another, and I can totally relate, and I get to feel that feeling and the expression of that emotion. I get to feel like as a listener, that somebody understands me, which is pretty incredible.
If you hit somebody hard enough, they will give up. You can feel their body go limp and they'll just surrender. So every time I hit somebody, the goal is to knock myself out. I know that if I hit somebody hard enough that I can feel it, it's hurting them 10 times worse.
The writing is important, but the way you say the line and the pause you give it, the facial expression - all of that is very important.
Life is very tough, you know. You sit at a dinner party and talk to the person on your right or your left, you're going to hear something terribly sad, or horrible, or awful. And you just laugh at everything. I think it was Winston Churchill who said something like, any time you get someone to laugh, you're giving them a little vacation. It's so true. You laugh for one second, you're happy. I find in negotiations, everybody's sitting around looking so serious, I say something funny and it breaks the ice. And it's like, now we can get through this.
I say I never wanna get married. I feel trapped with the idea of marriage. How can you really be with somebody forever? I'd get bored! As I get older, I don't settle. I'd rather tell somebody 'This is what I want - take it or leave it.
I say I never wanna get married. I feel trapped with the idea of marriage. How can you really be with somebody forever? I'd get bored! As I get older, I don't settle. I'd rather tell somebody 'This is what I want - take it or leave it.'
We've got a recipe for disaster. It's huge -- this combination of body image issues and the drug's weight loss appeal.
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