A Quote by Jack Jason

I moved on to the University of California, Berkley, coordinating interpreters for Deaf students at the university. The first year I was at Berkley, we brought in artists, performers, actors, and poets to create a Deaf arts festival. I did a lot of the interpreting for the stage performers. By the second year, I realized that I really liked producing arts festivals that had to do something with signing.
I've been involved in the deaf community for years, and my friends in the community that are actors or performers get very frustrated when they see hearing people portraying a deaf role.
I went to University after my A levels and did a degree in performing arts. It was only when I got there that I realized there were stage schools out there, and you had your union and your contacts and The Spotlight and this whole world of the acting industry that I had no idea about. So when I graduated, I took a year out and just thought really hard about whether it was something I knew enough about, and whether it was the career I could dedicate the rest of my wacky life to.
That's why I ended up going to Lancaster University, because they had a visual arts course, and in the first year it was like a broad visual arts course in sculpture, painting, graphics - all of that.
Edinburgh is a world city, visited throughout the year for its beauty and history, but in August, it is the City of Hope. There is something very exciting and romantic about performers of all shapes and sizes, honing their stuff for the biggest arts festival in the world.
In terms of my childhood, it was normal. You go through school, do well in school, and then I went to university. The performance arts aspect was never really an option because it was never in my family. Nobody was there to teach me anything about that. It wasn't until maybe my second year of university that I got inspired to dance.
Metaphorical tone deafness is when people are unable to discern what is of value in something. I think I'm tone deaf to poetry, for instance. Despite having studied it into a second year of university, most of it just leaves me cold.
Including my nine years as a student, the majority of my life has been at Hokkaido University. After my retirement from the university in 1994, I served at two private universities in Okayama Prefecture - Okayama University of Science and Kurashiki University of Science and the Arts - before retiring from university work in 2002.
I'm in the action, but I'm not in the action. A lot of the interpreting I do sometimes borders on performance. It gives me a personality and a presence to show the importance of interpreters in the life of a person who is Deaf.
After the war, I returned to Minnesota, from which I soon moved to Brown University, and a year later, to Columbia University where I remained from 1947 until 1958.
I did my first series lead back in 1991 on a show called 'Reasonable Doubts' and have done many shows with other actors who are deaf. But 'Switched at Birth' is the first TV show where there is more than one actor who is deaf or hard of hearing and who are series regulars.
From age 16 on, I found school boring and failed A-level Physics at my first attempt. This was necessary for university entrance, and so I stayed an extra year to repeat it. This time, I did splendidly and was admitted to Sheffield University, my first choice because of their excellent Chemistry Department.
During its first year of operation, Florida Virtual School had 77 students. The next year, it had 476 students; then 2,489 students the year after that.
I entered the University of Natal as a preliminary-year student in 1966 and stayed on to June 1972, when I was expelled from the university. I was then doing third-year medicine.
The Baathist state did two things extremely well. One was create information-gathering intelligence networks and a filing system. There's actually a lot of information on a lot of people and that is a major achievement of a police state. The second one is the promotion of literature and poetry, and the arts generally. So this is a state that's producing mass police archives - surveillance - and poetry. And in fact a lot of the archives are about what poets are writing or what they should be writing.
I see the difficulty of kids in going to university, the difficulty of kids in schools getting arts education, so that the arts and drama and the creative arts are extracurricular. They aren't: they are at the centre, and they are the equipment we so desperately need in the world.
My dad was dean of fine arts at the university. I was casting bronzes in the school foundry. I was using the university as a playground.
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