A Quote by Jess Walter

There was a real conflation of hero and victim in the wake of 9/11, in our perverse desire to create a triumphant myth out of pure tragedy. — © Jess Walter
There was a real conflation of hero and victim in the wake of 9/11, in our perverse desire to create a triumphant myth out of pure tragedy.
Clearly, the oil spill in the Gulf is a terrible tragedy; we lost 11 lives on the rig, and their families are suffering, and it's also an economic tragedy for our state and ecological tragedy for the Gulf. But Sept. 11 was a different type of event: it was an intentional attack on soil.
I'm connected to the event of 9/11 by my desire to do something to honor the 9/11 survivors and those who didn't survive. Something that moves our society forward, something that engages children in what it means to be a citizen and encourages them to love and be inclusive. Because if we don't live our lives well - if I don't live my life well - it's an affront to all the people who were involved in the tragedy of 9/11.
It is true, as Sartre once wrote, referring to French Army atrocities in Algeria, that the real tragedy in our time is that any of us can be, interchangeably, victim or torturer.
The tragedy of 9/11 galvanised the American superpower into action, leaving us in Europe divided in its wake.
On the golf course, a man may be the dogged victim of inexorable fate, be struck down by an appalling stroke of tragedy, become the hero of unbelievable melodrama, or the clown in a side-splitting comedy.
I feel a real responsibility to my community and so right now there has been this bizarre myth in our community how our vote doesn't count. I'm trying to get out there and re-educate on how the government works and break that myth and talk about the importance of being involved.
[Comedies], in the ancient world, were regarded as of a higher rank than tragedy, of a deeper truth, of a more difficult realization, of a sounder structure, and of a revelation more complete. The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man. ...Tragedy is the shattering of the forms and of our attachment to the forms...
I'm as much a victim of the romantic myth of 'getting away' as anyone else. My head tells me it's myth, but I don't want to believe it is.
Heroes are necessary in order to enable the citizens to find their own ideals, courage and wisdom in the society. The hero carries our hopes, our aspirations, our ideals, our beliefs. In the deepest sense the hero is created by us; he or she is born collectively as our own myth. This is what makes heroism so important: it reflects our own sense of identity and from this our own heroism is molded.
I don't really distinguish between a fictional hero and a real life hero as a basis for any comparison. To me, a hero is a hero. I like making pictures about people who have a personal mission in life or at least in the life of a story who start out with certain low expectations and then over achieve our highest expectations for them. That's the kind of character arc I love dabbling in as a director, as a filmmaker.
Of course, we create a lot of heroes. But the real intention of that is to make the player feel like a hero in all of our games.
When we think of the myth of the settling of the West, this is our creation myth. But because we think of it as mythology, not as real people interacting with other real people, we ignore the cost of human lives and blood.
The real victim of bigotry is the white man who hides his weakness under his myth of superiority.
To simplify things down to their real essence, whenever things go wrong in our lives, whenever our plans go awry and the things we took for granted suddenly disappear, we have a very simple choice. We can either succumb to despair and assume the attitude of the put upon victim, powerless to change our fate, or we can decide to turn the tragedy into an opportunity.
It is not merely our own desire but the desire of Christ in His Spirit that drives us to grow in love. Those who seldom or never feel in their hearts the desire for the love of God and other men, and who do not thirst for the pure waters of desire which are poured out in us by the strong, living God, are usually those who have drunk from other rivers or have dug for themselves broken cisterns.
No hero is a hero if he ever killed someone! Only the man who has not any blood in his hand can be a real hero! The honour of being a hero belongs exclusively to the peaceful people!
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