A Quote by Jill Robinson
I think the reason we're so crazy sexually in America is that all our responses are acting. We don't know how to feel. We know how it looked in the movies.
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I let the beast in too soon I don't know how to live without his hand on my throat. I fight him always and still. Oh, darling it's so sweet. You think you know how crazy, how crazy I am.
The deeper reality is that I’m not sure if what I do is real. I usually believe that I’m certain about how I feel, but that seems naive. How do we know how we feel?…There is almost certainly a constructed schism between (a) how I feel, and (b) how I think I feel. There’s probably a third level, too—how I want to think I feel.
I don't know how to be like a Bill Murray or a Will Ferrell, these guys who know how to make a line funny just by, I don't know, some extra-sense perception. I only know character and emotion and real acting; that's all I know how to do.
We learned out craft. Acting is a craft and you must learn it. I see a lot of talent today in the kids but they don't know how to work. They don't know the craft of acting and you can only get that on the stage in theater. You cannot learn how to act in movies or in television.
We know how to convey exactly what we want to convey. We know how it makes us feel and we know exactly how to show our fans how to feel the same way.
Acting is acting, as far as I'm concerned and, you know, how you manifest it is, at the end of the day, not the point. It's how it affects the story & how it affects the audience. And if people are hungry to be told stories, using, using this form then there's a reason for that.
It's the movies that have really been running things in America ever since they were invented. They show you what to do, how to do it, when to do it, how to feel about it, and how to look how you feel about it.
Zombieland reference," Jon said, nodding. "How do you know that? That's a thousand-year-old reference!" I looked at laura. "I can't think of a single movie from a thousand years ago." "Uh...Betsy..." "Don't say it." You know how you don't know how stupid something is until you hear yourself say it? That happened to me a lot.
It is now generally accepted that the roots of our ethics lie in patterns of behavior that evolved among our pre-human ancestors, the social mammals and that we retain within our biological nature elements of these evolved responses. We have learned considerably more about this responses, and we are beginning to to understand how they interact with our capacity to reason.
He gives me a kiss that barely touches my lips – it means nothing or everything. After he’s gone, I think, Happy birthday to me. Jack says, ‘That was the guy?’ ‘That was him.’ Jake shakes his head. ‘What?’ ‘He’s not for you,’ he says. I say, ‘How do you know?’ but what I mean is, How do you know? ‘He’s like Ashley Wilkes,’ he says. ‘Any one of these guys is Rhett-ier than he is.’ Again, I ask my benignly inflected, ‘How do you know?’ ‘How do I know?’ he says, tackling me into a bear hug. ‘How do I know? I know, that’s how I know.
God is okay. He's got big shoulders. He's okay with our - with our questioning and our - you know, I think the bigger the question, the bigger the answer, you know? It may be sickness, it may be loss, it may be disappointment, but sometimes you feel like heaven's silent, that "God, how-how can this be love?" But actually, if you go back to the Word, you know, it just underpins everything.
Even though I'm often crazy - and I am, and I know it - still I fight it because I know how sterile, how futile, how bleak... nothing grows from it, and you, meanwhile, only grow into it like a snail.
We know how hard we've worked, we know how our choreography makes us feel empowered. We have our voices, which are incredible and kind of surpass anything else.
I think women think I'm inspirational because I'm unapologetic. I have cellulite. I have back fat. I've got a thick stomach. But I work my body like I don't because I don't know any other body. I don't know how to feel thin. I just know how to feel like Ashley.
What I try to do often when I'm acting and what I like when I'm seeing good acting is how authentic it is. How true is this to what I know of the world that's been created for me? The ultimate test for me is, like, if I heard a clip of it on the radio, I'd like the audience not to know if I'm acting.
We know how to be doctors, nurses, lawyers. We know how to be tweeters. We know how to be everything. But how do you just be people? How do you be present with one another? How do you be honest with one another? How do you be compassionate towards one another, forgiving towards one another? We know what to do. We don't know what to be, how to be.
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