A Quote by Jim Jarmusch
I'm still trying to learn how to do it, I'm still trying to figure out how to make films, but, yeah, it started then [in 1979].
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They say Einstein died while he was still trying to figure out gravity. I think I'm going to die still trying to figure out some of the things about Blink.
We're still trying to figure out how to let men be vulnerable, to realize there's strength in vulnerability, and that it's how you fill out the circle of masculinity.
It's a lot easier to figure out how to scale something that doesn't feel like it would scale than it is to figure out what is actually gonna work. You're much better off going after something that will work that doesn't scale, then trying to figure how to scale it up, than you are trying to figure it all out.
I'm still trying to figure out how to have an adult relationship with my parents.
I started doing roles and working with people that I really respected and became passionate about the art form of acting. And I'm still trying to figure it out. Still learning.
There's people out there, Canadians out there, that have high expectations for me, but I mean, I'm still a kid, still trying to learn the game. I'm just trying to develop my skills as much as possible.
America is one big dysfunctional family and we are still trying to figure out how to live together.
Suddenly, I realized how tough trying to structure a story like this is. It was a lot of work. The one big advantage that we had was that we had eight scripts written before we started shooting, or even started casting. We had a really good opportunity to look at it and figure out where we were going to go and how to do it. Once we got a cast, which I love, then we started doing some revisions to make sure that they fit into it.
I started playing guitar when I was in eighth grade, and that led to trying to write songs and trying to figure out how to play in bands. That led to meeting people, and getting into the local punk rock scene, and going to shows. So that was how I really got into the culture of it.
If you wake up one morning realising that you do not know anything, then you are awake. If you still think you know something, then you are still asleep. If you are still trying to know, you are still trying to control. If you are still trying to control then you still think something can 'go wrong'. If you still think something can go wrong then you are not in touch with the source. If you are not in touch with the source then you live in fear. You are living in the fear that you have created, and that you are trying to get away from.
So, this is my life. And I want you to know that I am both happy and sad and I'm still trying to figure out how that could be.
The Democratic lawmakers are still trying to figure out how to capitalize on this new wave of leftist anger, if you want to call it that.
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
You can be extremely bright and still have dyslexia. You just have to understand how you learn and how you process information. When you know that, you can overcome a lot of the obstacles that come with dyslexia. When you figure out how you learn, you can accomplish whatever you want.
Trying to make certain things on the Internet totally private unless you subscribe. It's not going to work. If you can figure out how to close something down, somebody can figure out how to open it up. That's art.
All films are learning processes. I am still trying to work out how you make a movie. I didn't study at film school or any of those things. I didn't bother with film theory.
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