A Quote by Joe Dante

Daffy, of course, wants to go on the journey with him but the studio decides they want Daffy back, so Bugs and a young studio executive heroine have to go out and try to bring him back.
In politics, Bugs Bunny always beats Daffy Duck. Daffy's always going berserk, jumping up and down, yelling. Bugs's got that sly smile, like he always knows what's up, like nothing can ruffle him.
Bugs is who we want to be. Daffy is who we are.
I think it's that if you don't have the visual, you have to infuse the full personality into the voice. Think of Daffy Duck. I mean, what the heck? I was playing around with the Daffy Duck voice today when I was coming back from driving my kid to school.
I worked with some of the best actors I've ever worked with: Mel Blanc and Don Messick. They could play a scene against themselves. Think of the characters that Mel created, and they're as good or better than any performance anyone has ever given. I mean: Daffy Duck! Think of the specific voice Mel gave Daffy Duck or Bugs Bunny or Porky Pig... It's just astonishing.
I'm a huge fan of Warner Brothers cartoons. I would spend many hours alone after school watching Daffy Duck. I think Daffy Duck is one of the great comedic villains.
I do think it's possible for me to go back to the studio, and for a lot of women filmmakers to be going back into studio filmmaking with a different sense of their own agency, and a different sense of the respect that they can command. When you asked the question about whether women want to be making big studio movies, the answer is almost always yes. It's just, how do they want to be treated? What is that experience going to be? And if you know the experience is gonna be shitty going into it, I personally am at a place where I'm not willing to punish myself any longer.
I'm just glad that I have bragging rights to working with Bugs and Daffy.
I hate studios. A studio is a black hole. I never use a studio to work. It's very artificial to go to a studio to get new ideas. You have to get new ideas from life, not from the studio. Then you go to the studio to realize the idea.
If you want to live, go back to Christ. You are not Christians. Go back to Christ. Go back to him who had nowhere to lay his head. Better be ready to live in rags with Christ than to live in palaces without him.
I haven't felt compelled to go back in the studio and do anything serious. I have a little sort of home studio thing which I potter about in occasionally.
I fantasize and idealize myself as Bugs Bunny, but I know deep down I'm Daffy Duck.
how can he love me then not? He went,he ran. And I cannot bring him back. Yet I left the door metaphorically wide open, hoping he'd come back and bang on it proclaiming, "I want to be here with you. Always." Soon I'm going to have to shutit. For my safety and my sanity. Let go. I don't want to. Won't letting go be just that - letting go? Giving up? Admitting failure? Admitting that it is really, truly over?
We like the ambiance and atmosphere, and we felt really early that... I mean, of course, Air is an electronic band, but we are doing so many real recordings and the studio is so important for the sound. The acoustics create atmosphere and emotion. Also we want to be independent, we don't want to be obliged to go into a commercial studio and only stay one week because it's really expensive. We want to be able to give a chance to a song, and to spend a lot of time in the studio.
If I'm in the studio, I'm completely on music. I try to go to that place and that's the toughest thing for me to do. When I'm with other musicians, sometimes I go back to, almost like, childhood, because that's what I always wanted to be.
I would love to be one of the few artists that hits a point of success and can go back into the studio and make another album that matters and relates to people and not go back in and be super tainted by this whole thing.
My whole life at a certain point was studio, hotel, stage, hotel, stage, studio, stage, hotel, studio, stage. I was expressing everything from my past, everything that I had experienced prior to that studio stage time, and it was like you have to go back to the well, in order to give someone something to drink. I felt like a cistern, dried up and like there was nothing more. And it was so beautiful.
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