A Quote by John Lasseter
The hardest thing to get is true emotion. I always believe you need to earn that with the audience. You can't just tell them, 'Ok, be sad now.'
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The hardest thing to get is true emotion. I always believe you need to earn that with the audience. You can't just tell them ok, be sad now. Humor, you can add. Even to the last minute you can be adding little bits of humor. But the true earned emotion is something that you really have to craft.
I said anything I wanted because I don't believe in children I don't believe in childhood. I don't believe that there's a demarcation. 'Oh you mustn't tell them that. You mustn't tell them that.' You tell them anything you want. Just tell them if it's true. If it's true you tell them.
You just have to do the thing that you feel is true to your vision, and then the audience will make the decision. But as soon as you feel like you're creating a product to just cater to what you think they want, it never works. It always feels phony. And the audience can tell immediately.
We put so much pressure on ourselves as parents to be able to do everything, but children are very grateful and understanding. I always find that quality time, even if you just get a little bit, really has a deep impact. But you also need them to know that they can make mistakes, and if they do make a mistake it's OK for them to tell you and that they'll get a second chance.
We believed - and I personally still believe - that the so called Voice of God narration, ubiquitous in documentaries destined for PBS, is insulting to the audience. If you believe in the intelligence of your audience, you don't need to tell them what to think and how to process the material they're seeing.
The hardest lesson to learn always is to just have faith in that you will always have something to say or a story to tell. I have faith that I'll be able to continue to tell stories, write and tell stories. You just need to keep going at it.
I get mad. I get sad. I have all those emotions. But I just like to keep them to myself. I don't think my fans need to be bothered with if I'm mad or sad about something. I should just be concerned that they are keeping up with my music or I'm making them happy with my show.
Standup is a form of therapy. It is OK to tell problems to your audience as long as you are being honest and not boring them. I tell them that I am saving $75 an hour when I talk to them instead of a therapist.
Making people laugh is so much more difficult than making them sad. Too much fiction defaults to the somber, the tragic. This is because sad endings are easy in comparison - happy endings aren't at all simple to earn, especially when writing to an audience jaded by them.
Emotion is more than just anger. When I am performing, I need emotion, but I need control, too. Emotion drives the best performance and is necessary, but it must be controlled. I believe Fedor [Emelianenko] does that. I do too. We may look different in how we do it, but we both do it.
It's a very easy thing to say, 'Go get a backup quarterback.' Now tell me where to get them. You just can't dial them up.
The hardest thing is at the end you have to say bye to all these people who you have worked with for so many months. It was really sad not to see them anymore. But you have the parties that you go to and you get to see them, like the premieres and the screenings.
The more I drive myself into the depth of my inside, the more things come up to my vision, visibly or invisibly... I even do not know if I am seeing them with my eye or with my mind. I just need to copy them on my canvases. But this mental process is always overwhelming. I often have hard time to deal with my emotion on this state. You could call this depression on surface? But actually, so many 're-birth' and 'reform' are going on on my thoughts, inspiration, philosophy...etc in the underwater. I believe this struggle make my art real. My art always comes from my emotion.
People don't believe what you tell them. They rarely believe what you show them. They often believe what their friends tell them. They always believe what they tell themselves.
But the general audience, if you want to grow your audience you need to tell stories, you need to have characters, and that's how you bring them in. That's my favorite part of the business.
If you ant to feel deeply, you have to think deeply. Too often we separate the two. We assume that if we want to feel deeply, then we need to sit around and, well, feel. But emotion built on emotion is empty. True emotion- emotion that is reliable and does not lead us astray- is always a response to reality, to truth.
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