A Quote by Jon Richardson

I certainly tried to talk about less complex things, but I've had to accept that it's just not what I do. That isn't to say that my shows are depressing - they aren't. At least, I hope they aren't! The problem I have with stories about happy things is that they don't require any skill from a comic - they just repeat the details verbatim.
I'm just gonna talk about being Nigerian-American. I'm gonna talk about being single. I'm gonna talk about what happened to me on the train today. I'm gonna talk about so many other things that, as a comic, you're able to talk about because you see the world in sarcasm.
For me [in my stand-ups] I do what is from the heart. I do what I relate to, what I can talk about, things that I can define. I don't try to talk about things just because they might be a popular subject. I talk about things I know about.
I always wanted to have a young female artist that would tell me the truth about life and not only talk about the good things or the things that were exciting or interesting but also talk about the things that people in general are skeptical to talk about- the bad things that do happen. A good 50% of our lives is things that are happening that we're not necessarily super thrilled about and I feel like that's missing from pop music a lot of the time so my main goal is to be truthful about everything and not just specific things.
Once I got over the fear of writing female characters, it actually came quite easily and I was really happy with it. I just thought about girls I knew really, really well and I'd just have conversations with them and tried to relay how they talk about certain things.
I was actually fortunate that I never had to have any other job than being an actor. I don't have those odd stories of having to make some money here or there, but certainly there are some credits on my résumé I wish I hadn't done. It paid my health insurance, and I say that just from a creative standpoint, shows I'm not that proud of, things like that.
The best books, they don’t talk about things you never thought about before. They talk about things you’d always thought about, but you didn’t think anyone else had thought about. You read them, and suddenly you’re a little bit less alone in the world. You’re part of this cosmic community of people who’ve thought about this thing, whatever it happens to be.
I'm just flowing through, when I see things, I talk about 'em. And it's cool. I don't want any title. I just say what I say, and hopefully somebody gets it. I'm not perfect, and I'm just here and trying to make a dollar, and being real at the same time.
We still write too many stories that are "state of the race" stories that are informed almost solely by what the polling shows and by what we're then deducing about who's up, who's down, and I'm just not sure that's very helpful to readers, it certainly doesn't elevate the debate and, and the problem is if you, if you cover these things, and I don't think the Times is particularly culpable, I think other news organizations are worse, if you cover them in an entirely "who's up, who's down" horse race way.
You can take any one of our stories that we use right now, put western clothes on us, stick us out in the west and they'll work just as well - any single one of them - because they're stories about people, they're stories about things.
I never just want to talk about the good things that happen to me, or just about the bad things. I want to talk about all the experiences I'm having on a daily basis.
You know, it shouldn't just be about women as heroic figures overcoming things, it just needs to be about women in general getting the opportunity to play a multitude of roles, telling a multitude of stories - just to express human experience from a woman's perspective. I hope, someday, we can get to that point. I'm all about representation.
All talk is just that: talk. All the words written on these pages are just that: words. If you want things to get better, take action. Don't just talk about it. Don't just read and think about it. Do it.
The imagined memories had to have as much weight as the real, or we had to at least pretend they did to such a degree that they just very well might have. And so I never questioned Angela about that particular story, or about all the troubling things that it pointed to, content to believe that at least in this version things worked for her better than they did in the one I never heard.
There's an elitism that comes out with the entertainment industry. I'll talk about some shows, but I'm not gonna say that you're dumb for watching one over the other. I just let it go. I don't have to declare a fatwa on any of these things. I've gotten over some of my elitism.
Novels and stories are sometimes very complex staging grounds to say, in fact, very simple things. Things impossible to say otherwise because they are repeated in so many exploitative contexts - adverts and TV shows and political speeches.
When I'm writing, I'm thinking, "Well, this might be a book that I'll always be happy with, and certainly readers will be happy with." But another part of me knows that when I'm past the stage of writing, the book is gonna have good things about it, bad things about it - probably more bad than good. I just know that. That's who I am.
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