A Quote by John Singleton
'Baby Boy' is one of my favourite films, and Tyrese keeps telling everybody we're going to make a sequel. I mean, we have a story right now but we don't know where we're going to take it.
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They always say 'Is there going to be a sequel to Bad Santa?' and you know, I mean, a long time ago they would talk about, you know, we're going to do a sequel to that but it was never serious. And they said 'Would you do it?' and I said out of all the movies I've done, that was a lot of fun, and maybe I would do a sequel if it ever came up and it made sense, but I said I don't think that's ever going to happen.
If you find a story that everybody likes and everybody relates to in some way, then you know you have a good story. But if you're telling a story and all the women are going, 'I'm checked out of this, I just don't really care,' then you're going to have some problems.
If your subject is crime, then you know at least that you're going to have a real story. If your subject is the maturing of a college boy, you may never stumble across a story while you're telling that. But if your story is a college boy dead in his dorm room, you know there's a story in there, someplace.
I'm a people pleaser by nature, and I want to make everybody happy. But at the same time, it's not fulfilling to make everybody happy. What's fulfilling is to stand for something that's right. Now that doesn't mean you're going to be perfect. We're going to fall and we're going to mess up every day, but we can at least try to stand for something. When you stand for something, then you won't fall for everything else around you.
Seeing a patter doesn't mean you know how to put it all together. Take baby steps: don't focus on the folks whose skills are far beyond your own. When you're new to something-or you haven't tried it in a while-it can feel impossibly hard to get it right. Every misstep feels like a reason to quit. You envy everyone else who seems to know what they're doing. What keeps you going? The belief that one day you'll also be like that: Elegant. Capable. Confident. Experienced. And you can be. All you need now is enthusiasm. A little bravery. And-always-a sense of humor.
I'm telling you this because I want you to know that I know something about you isn't right. You haven't fooled everybody. I'm going to find out what you're up to. I'm going to expose you." "Looking forward to it.
You never know in a movie if it's going to be a sequel, but right now I'm proud of what we produced.
The characters are telling you the story. I'm not telling you the story, they're going to do it. If I do it right, you will get the whole story.
I'm jumping in right now. And I'm going to say that everybody I know has a 'day I met CM Punk story' and they're all 100% fabrication. It's all bullshit. Thank you.
I'm not an L.A. guy. I don't take meetings - you know what I mean? I don't really know how to interact very well with people in L.A. because everybody's got an agenda and everybody's like, "What do you do?" "Where are you going?" Or it's like, "What do you know?" And I'm not on a grind - I was there to make music and to meet people but I wasn't hustling for anything.
I make films because I am endlessly fascinated by people. I'm fascinated immediately to know about the lives that are going on around me. That is what drives me. And that is because everybody matters, everybody is there to be cared about, everybody is interesting and everybody is the potential central character in a story. Judging people is not acceptable.
So you’re telling me that right now I’m responsible for Acheron’s beloved pet and the favorite sister of the Fates? (Zarek) Tell Fang-boy I’m not a pet. If he doesn’t take a nicer tone to me, he’s going to be really sorry. (Simi)
I know this sounds phony, but I don't start out on a project going, 'I'm going to make an emotional work,' you know what I mean? You try to tell the story directly and honestly and with passion.
You're going to die. You're going to be dead. It could be 20 years, it could be tomorrow, anytime. So am I. I mean, we're just going to be gone. The world's going to go on without us. All right now. You do your job in the face of that, and how seriously you take yourself you decide for yourself.
You're going to die. You're going to be dead. It could be 20 years, it could be tomorrow, anytime. So am I. I mean, we're just going to be gone. The world's going to go on without us. All right, now. You do your job in the face of that, and how seriously you take yourself, you decide for yourself.
Ooooh," Kate groans, Kate herself now. "I'm so afraid." "I know." "What am I going to do?" "You mean right now?" "Yes." "We'll go to my car. Then we'll drive down to the French Market and get some coffee. Then we'll go home." "Is everything going to be all right?" "Yes." "Tell me. Say it." "Everything is going to be all right.
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