A Quote by John T. Flynn
We seem to be a long way off from the kind of Fascism which we behold in Italy today, but we are not so far from the kind of Fascism which Mussolini preached in Italy before he assumed power, and we are slowly approaching the conditions which made Fascism there possible.
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Too many people today believe that you can fight fascism with fascism. This of course is an impossibility. Fascism times any other number always equals fascism.
I've been in contact with Marshal Badoglio. We agree that Italy must be saved from the abyss toward which Fascism is driving her. If we depose Mussolini, however, the new government should do nothing drastic to upset Hitler until we can secretly negotiate an armistice with the Allies.
Fascism was really the basis for the New Deal. It was Mussolini's success in Italy, with his government-directed economy, that led the early New Dealers to say "But Mussolini keeps the trains running on time.
Fascism is the consequence of economic jam and dictatorship is the product of Fascism, for Fascism cannot be managed save by a dictator.
The strategic adversary is fascism... the fascism in us all, in our heads and in our everyday behavior, the fascism that causes us to love power, to desire the very thing that dominates and exploits us.
I describe what is happening as 'food fascism' because this system can only survive through totalitarian control. With patents on seed, an illegitimate legal system is manipulated to create seed monopolies. Seed laws that require uniformity - which criminalize diversity and the use of open-pollinated seeds - are fascist in nature. Suing farmers after contaminating their crops, [...] is another aspect of this fascism. Pseudo-hygiene laws that criminalize local, artisanal food are food fascism. And attacks on scientists and the silencing of independent research [...] are examples of knowledge fascism.
No government fights fascism to destroy it. When the bourgeoisie sees that power is slipping out of its hands, it brings up fascism to hold onto their privileges.
Fascist intellectuals, such as Ugo Spirito, made the round of conferences preaching the virtues of postcapitalism fascism and in fact tried to nudge the structure in a 'leftist' direction by calling for more collective control and even corporative ownership of the economy. Mussolini looked abroad to find that Franklin Roosevelt was merely seeking to emulate Italy's innovations.
What, actually, is the difference between communism and fascism? Both are forms of statism, authoritarianism. The only difference between Stalin's communism and Mussolini's fascism is an insignificant detail in organizational structure.
The one thing with writing stories about the rise of fascism is that if you wait long enough, you'll almost certainly be proved right. Fascism is like a hydra - you can cut off its head in the Germany of the '30s and '40s, but it'll still turn up on your back doorstep in a slightly altered guise.
All the pale horses of the apocalypse have stormed through my life, revolution, starvation, devaluation of currency and terror, epidemics, emigration; I have seen the great ideologies of the masses grow and spread out before my eyes. Fascism in Italy, National Socialism in Germany, Bolshevism in Russia, and, above all, that archpestilence, nationalism, which poisoned our flourishing European culture.
Sure we'll have Fascism here, but it will come as an anti-Fascism movement.
The film [the white Ribbon] does try to use German Fascism as an example, but not specifically Fascism... the results of German Fascism. It shows how people are prepared or indoctrinated for an ideology... people who are already in a state of repression who have been humiliated by society and who clasp at a straw that's offered to them. And how that's then developed into a form of indoctrination.
When Fascism comes to America, it will be called anti-Fascism!
I believe that political correctness can be a form of linguistic fascism, and it sends shivers down the spine of my generation who went to war against fascism.
I was seduced by the nouvelle vague, because it was really reinventing everything. And the Italian cinema that one would see in the theaters in the late '50s, early '60s was Italian comedy, Italian style, which, to me, was like the end of neo-realism. I think cinema all over the world was influenced by it, which was Italy finding its freedom at the end of fascism, the end of the Nazi invasion. It was a kind of incredible energy. Then, late '50s, early '60s, the neo-realism lost its great energy and became comedy.
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