A Quote by John Waters
I always want to see films that are startling and amazing. Not just shocking. Shocking is easy to do. But startling in the way that makes you change how you think about things. Those are the movies I like the best.
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The world may hold startling developments and shocking unknowns.
It has become apparent that art can have a startling impact without really being or saying anything startling — or new. The character itself of being startling, spectacular, or upsetting has become conventionalized, part of safe good taste.
As any editor will tell you, startling newsroom revelations are generally met with queries about where the information came from and how the reporter got it. Seriously startling revelations are followed by the vetting of libel lawyers.
I never think I'm capable of any of [action movies]! I'm always terrified, but luckily on this one it was directed by my husband [Len Wiseman]. 'I can't possibly do it. I'm too scared, I can't do it.' He says: 'Go on. DO it!' So it is shocking as I'm not one of those people who finds that stuff easy.
People always say that my work is sensational or shocking but there are truly shocking things you could do, and my sculptures don't go anywhere near that.
What made Leonardo da Vinci, Thomas Edison and Albert Einstein such creative geniuses? It wasn't reading books or watching YouTube talks about How To Be More Creative, that's for sure... If startling insights could be systematically arrived at, they wouldn't be startling. The best you can do is to create a conducive environment: put in the hours; take time to daydream; avoid mind-corroding substances.
It was shocking to see Nirvana play, because it was like, "Here's this little guy with a monster-guitar sound." And it was heavier than Black Sabbath. That was shocking.
I need to push myself. I'm not saying that I just want to do anything that's shocking, but when you have that combination of a script that's really beautiful and extremely shocking, it's exciting for me.
A good part of why I never went back to England was part of that, I didn't want to be in those sort of flowery films. But I think it's a nice change of pace-I don't know how long it'll go for. There will always be the Merchant-Ivory/Kenneth Branagh movies, but there's something else now-really, it's always been there but the Americans getting to see it makes all the difference.
I've always had a desire to be provocative and to make people think, but it wouldn't be any challenge for me just to be shocking. That is where it begins for me, not where it stops. And I could be much more shocking. I think I've adopted a sense of subtlety. I don't sit around wondering how I can make myself even stranger to the world. I've simply evolved into the monster I created, and I'm quite happy with it.
I enjoy turning things on the audience. I really like working in genre because people come into the films with certain expectations. They know the tropes so well that, when you turn on those, it can be shocking because there's a complacency that comes with watching those films.
So the best marriages and the deepest relationships with God grow out of the startling discovery that there is nothing one can do to earn love, and even more startling, that there is also nothing one can do to unlearn it, or to keep oneself from being loved. This is a religious awakening that is utterly different from any other religious experience, no matter how profoundly spiritual it may seem.
With ferocity and extraordinary craft, Lizzie Harris has made a book of poems that resonates far beyond the personal stories it tells. Stop Wanting reveals, in every lyric, its author's profound metaphorical gifts. In its ironies and intensities, it brings to mind a writer like the young Sylvia Plath, though what is startling about Harris' s work is the way it combines those gifts with a muted, deft self-awareness. Most of all, these are wonderfully shaped, powerful, and surprising poems-a startling debut.
A good story is always a journey. It is about taking the journey, the people the hero meets along the way and how they change him or her. All stories are journeys. They don't have to be shocking or outrageous: they simply have to be interesting.
I like to think I'm making films in the film business where movies are making enough numbers for the studios to let me keep working, but you also want those films to have content that makes you proud you made the film. That's not easy, but it's a fun puzzle to figure out.
Im extremely honest, and I pride myself on it. I dont try to be shocking. Im playful, and I know when something Im saying is maybe shocking, but its just the truth, I never wanted to be scary to people or upsetting to people. I simply want to live the way I need to live.
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