A Quote by John Waters
It`s great to be able to drive around and spy on people, which I do when I'm writing. People tell me the most personal things about their lives for no reason - on airplanes, everywhere I go. People just blurt out secrets. I'm not sure why. I think that they see in my films that nothing will make me uptight. I'm not going to judge them.
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One of my struggles is that I'm a glutton. There's always those very simple, long, old-ass things, but they're very real to me, and I'm sitting in them, and they're swirling in my mind all the time. I tell people about it and they think, "Why don't you just go and make some money, go get a big-screen TV, or look at the Internet." Or they say, "Go create some introspective art." I just want to explode. I don't know how everybody else is able to walk around so calm. It's amazing to me when I see people walking so calmly down the street. I envy them, but I also kind of hate them.
I'd like the campaigning to be about all the things they're not going to do. Just tell me what you're not going do! Don't tell me what you're going to do. Just say "I'd really like to do solar energy but I'm not going to be able to. I really want to dig holes everywhere in the country but I really won't be able to do it because people seem to think that maybe my water will be screwed up."
The people that have looked out for me and helped to steer me in the right direction, I just can't thank them enough. So, the drive, a lot of times it just comes down to looking around at the people who love and believe in you and realizing that you owe it to them. Even if I have a bad attitude on a certain occasion, I owe it to all these people around me to just come out and drive, push, and try to make this thing the best that I can
In London I'm out and about all the time. I walk everywhere, so people do recognise me and they've probably seen me before so they're not bothered anymore. But I think that's a good thing because if you try and remain mysterious people are surprised when they see you. With me, I think they're just bored of seeing me - but that suits me just fine because I like to live as much of a normal life as I can. That's why I love living in London. People are very respectful of your privacy. If they see you having a coffee in a coffee shop, they're not going to interrupt you.
Those type of people [in New Orleans] keep me happy and just smiling, you know? I just go hang out and talk with them and they tell me all types of old stories, and sometimes I might even pull my horn out in the middle of the block, and they're playing on beer bottles and different things, and we just do a little second line type thing, just us, four or five people, who are just having fun. That makes me day to be able to do that and go hang out with the people in the (Treme) neighborhood, and to do some shows around town, you know?
I would drive home and see people wearing my No. 34 jersey and wonder why, because I didn't feel worthy of that. And all the time I just knew people were staring at me, talking about me everywhere I went.
Even today, I'm not sure why I make films or what makes me want films. I think it's other people's films. Whenever I see a really great film, I think, 'I want to make a film like that.' And then I never do.
When it became easy enough to do dairy online, then I just thought, "Oh, I'll start doing this. I'll put the parts online that aren't going to get me in trouble. I'll save the rest for myself." It became also this kind of self-therapy. I could write about stuff that was bothering me, or personal stuff. And the very personal stuff I could edit out. But it was kind of the catharsis of getting it out and writing about it, that made me think, "Okay, I see why people do this, why they keep these diaries." So I thought, "Well, let's see what happens when I post some of it."
Mostly I'm writing about people, so I feel constrained to take with me my view of people, my curiosity about how people choose the things they do and why they come to certain decisions in a certain fashion and all the things that drive most writers.
I thought how you can never tell just by looking at them what they were thinking or what was happening In their lives. Even when you got daft people or drunk people on buses, people that went on stupid and shouted rubbish or tried to tell you all about themselves, you could never really tell about them either... I knew if somebody looked at me, they'd know nothing about me, either.
I don't think it's something that people would ask a man. Some people make a huge deal out of the fact that I sing about drinking all the time, but I don't think of it as singing about drinking. It's singing about emotions, and sometimes that centers around drinking. To me, I'm writing about things that I'm going through that mean something to me, but some people just reduce it to: "She must drink all the time." But if a guy sings about that sort of thing, no one really looks twice.
People never regret when they come out of a movie and they've been crying. I think people need it. That's why people have the theater and live music, which is dwindling as well. I think people like to go see things and have an emotional, transcendent, universal human experience, but so often we're like, "Let's go watch Green Lantern," which we all know is just not going to do anything for our souls.
I don't come from a flashy film background. TV's been a great home for me, and being able to do that work kind of unnoticed, and not putting that out in the foreground was perfectly fine for me. I just continue to want to make sure that that's what it's about. I think when you start spinning out on what other people are doing and trying to chase something, you're really on a one-way ticket to things not working out the way you want them to.
I think that to me, films are personal affairs. It doesn't mean that I am against other people doing things differently, but I'm talking about what I can do. So I don't feel comfortable going to a new city or a certain class of which I don't have sufficient knowledge, doing research on that, and then writing a story about it I don't think I have the ability of presenting other people on screen in that way. It makes me uncomfortable. This doesn't mean that I only want to talk about myself. I want to talk about what I know.
One of the things that's funniest about the entertainment industry and comedy is that people go 'Oh, you're great, but I don't know what to do with you.' The great thing about the Internet is that nobody has to figure out what to do with you. You can figure out what to do with you, and you can say, 'I made this thing, and I'm going to put it out, and now if people want to come see me and buy things from me they can.'
People just want to see something happen that is positive for them in their lives. If you're struggling to pay your student-loan debts, or if you've got a kid trying to go to college and don't think you're going to be able to afford it, it really matters whether you get help or not. If you don't have health care or you have insurance but the insurance company won't pay for what your doctor says you need, then what's the point of people arguing in Washington? Why don't you give me some help to fix this problem? I will work with anybody if I think we can actually produce results for people.
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