A Quote by John Hillcoat
The one that I've always wanted - and I have Scott Rudin in my way blocking it - is 'Blood Meridian,' which Cormac McCarthy has offered to adapt into a screenplay.
Related Quotes
In 2009, Scott Rudin sent me August's [Wilson] original screenplay [Fences] and asked me what I wanted to do with it. He wanted to know if I wanted to act in it, direct it or produce it. I said, "Well, let me read it first."
McCarthy's prose in 'Blood Meridian' comes blazing from the Book of Revelation.
I called Scott Rudin, and I told him I wanted to do the play [Fences], so that's how the ball got rolling. I never said, "I'll do the play, and the next year I'll do the film, I just wanted to do the play."
It just happened that we did [Fences] seven years ago on Broadway. Scott Rudin brought me August Wilson's original screenplay for it, and I realized I hadn't read the play. So I read it. Then I realized that Troy (my character) was 53 - and I was 55 at the time. I realized I better hurry up! I might be too old!
The fundamental difficulty that most novelists face when they are trying to adapt their own book into a screenplay is realizing that a screenplay is a completely different way of storytelling, and it has limitations.
The Ploughmen is as good a book as I’ve read in years. Kim Zupan’s language is as rich as Cormac McCarthy’s, and like Cormac’s, it comes from ground-zero of the heart. I’m also reminded of James Lee Burke’s sure-footed prose and delight in metaphor. Luminous...nothing short of brilliant...a firstnovel that leaves me impatient for the next.
I love everything that Cormac McCarthy has written.
For 'So Cold the River,' I'm actually working on adapting the book with Scott Silver, who was just nominated for an Oscar for 'The Fighter,' and who also wrote '8 Mile,' which I think is a terrific screenplay. The chance to work with Scott is a tremendous pleasure and I'm learning a lot.
I'm not Cormac McCarthy, but I can get my point across in a thousand words.
I'm a huge Cormac McCarthy fan and have read every book of his.
One more recent novelist to come along is Cormac McCarthy. Him, I like.
Cormac McCarthy's language is perfect. He is in my view the greatest living American prose stylist.
No one has a name in 'The Road.' Like Cormac McCarthy's novel from which it's adapted, 'The Road' features characters such as the man, the boy, the wife, the old man and the veteran.
The kind of stuff I usually read is a bit more on the literary side, like books that I think are influential in the sense that they're doing pulpy subject matter in a refined way. Like 'The Road' by Cormac McCarthy; I loved that book.
The kind of stuff I usually read is a bit more on the literary side, like books that I think are influential in the sense that they're doing pulpy subject matter in a refined way. Like 'The Road' by Cormac McCarthy, I loved that book.
We loved the language in Cormac McCarthy's 'No Country,' which is really about the region, while in 'True Grit' it's more about period: people did speak more formally and floridly.
Related Authors
Alejandro Gonzalez Inarritu Quotes
Mexican
Director
Ava DuVernay Quotes
American
Director
David Lynch Quotes
American
Director
George Lucas Quotes
American
Director
Guillermo del Toro Quotes
Mexican
Director
John Waters Quotes
American
Director
Judd Apatow Quotes
American
Director
Martin Scorsese Quotes
American
Director
Nicolas Winding Refn Quotes
Danish
Director
Oliver Stone Quotes
American
Director
Peter Jackson Quotes
New Zealander
Director
Quentin Tarantino Quotes
American
Director
Ridley Scott Quotes
British
Director
Steven Spielberg Quotes
American
Director
Werner Herzog Quotes
German
Director
Woody Allen Quotes
American
Director