A Quote by George A. Romero
I liked the '28 Days Later' films, but they're not zombies; they're not dead. They're not using it in the same way.
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I love horror. I love 'The Shining,' 'Friday the 13th,' 'Halloween,' all those kinds of things. I love zombies, especially '28 Days Later' and '28 Weeks Later,' where the zombies are going faster than the George Romero ones. I love being scared; there's something that's awesome about your heart rate going up like that.
I loved Zack Snyder's 'Dawn of the Dead' and '28 Days Later' and '28 Weeks Later.' I would love to be involved with a film that shows the breakdown of society and a small group of survivors in a world that has crumbled. That's something I would like to explore.
People called 28 Days and 28 Weeks zombie movies, and they're not! It's some sort of virus; they're not dead.
People called '28 Days' and '28 Weeks' zombie movies, and they're not! It's some sort of virus; they're not dead.
Cillian Murphy is the guy who battled viral zombies in '28 Days Later' and put a gas-spewing bag over his head in 'Batman Begins'. With his pallor, cut-glass cheekbones and glazed blue eyes, he's right on the border between dreamboat and spooky freak.
To me, the zombies have always just been zombies. They've always been a cigar. When I first made 'Night of the Living Dead,' it got analyzed and overanalyzed way out of proportion. The zombies were written about as if they represented Nixon's Silent Majority or whatever. But I never thought about it that way.
It's a very good time for horror. This business certainly has changed, but there's still room for serious horror films. Look at 28 Days Later, that's not a tongue-in-cheek picture.
I love zombie films like Danny Boyle's '28 Days Later' - I thought it was so brilliantly done and so grounded in reality. I was definitely thrust into the zombie world watching that film.
Zombies aren't about zombies. It's not about the dead bodies. I think it's a very hopeful subgenre. It says that regardless of what happens, humanity will get through it. We'll figure out a way to survive.
Since zombies are not fully dead, they upset the essential balance of nature: no animals eat zombies, apparently, and zombies do not seem to decay, at least, not to the point of disintegration and reintegration back into the soil, so the food chain, or the circle of life, seems to end or be short-circuited by their existence. Zombies fulfill the worst potentialities of humans to create a hellish kingdom on earth of endless, sterile repetition and boredom.
I also have always liked the monster within idea. I like the zombies being us. Zombies are the blue-collar monsters.
'Night of the Living Dead,' then 'Dawn of the Dead' is a few weeks later, 'Day of the Dead' months later, and 'Land of the Dead' is three years later. Each one spoke about a different decade and was stylistically different.
I'm working pretty slowly these days, but most of what it is, or a lot of what it is anyway, is kind of in the vein of "Bay of Pigs". Maybe not all in the same scope, but recorded using the same method and using some of the same sounds, or similar sounds.
If you look at zombie movies throughout history, they're always making adjustments. Even the idea of the virus zombies and the back-from-the-dead zombies... there's been tons of tweaks.
When fighting zombies, the only comfort one can have--if, indeed, it can be called a "comfort"--is knowing where the zombies are. "They are over there, and we are over here. When they come at us, we're going to shoot them down. That's how it's going to work. They're just zombies, and they're way over there. No way are we going to f*** this up." But when zombies then unexpectedly pop up behind you--Bam!--the whole battle plan's not so cut and dried, is it, Mr. Tough Guy?
We had always used found sound, but we had always used it in an analogue way. And it was the early days of using collage and sound in a digital way. MTV, a couple of years later would be that way.
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