A Quote by Josh Jones
I've never been one like, "Oh, these are my songs" - that was done out of necessity, because there was no one to help. I have 90 percent of it written; that way, we can go on the road, be tight and have it ready to go for next year. I know I said I didn't have a grand design, but I think it's going to be like Marvin Gaye meets The Rocky Horror Picture Show.
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If you really think that houses prices are going to go up next year and the year after, you feel if I don't buy it this year, I'm going to have to buy it next year. [...] And when somebody makes it very easy for you to do it by saying you don't really have to put up my money, you can lie about your income a little, or we'll give you 100 percent mortgage, you're going to do it, because everybody that's done it has been proven right. You have what they call social tools, and, you know, you're going to feel like an idiot if you didn't do it, because the house cost more.
I actually get a lot of messages with people saying, 'What's a Marvin Gaye?' and, I mean... Oh, wow. I must be getting old, because someone who was born in 2004 just asked me what a Marvin Gaye was.
Man, I live out 90 percent of my songs and the other 10 percent... once in a while, I'll put myself in someone else's shoes and try to go down that road.
I was a big fan of Marvin Gaye, and when my parents were at work, I would get in front of the mirror, put my father's clothes on and pretend I was singing Marvin Gaye songs.
I was raised on Marvin Gaye. Before I knew Babyface or anyone else, I knew Marvin Gaye. My mother played Marvin Gaye.
There's a cave, we go inside of ourselves because we want to know more, and we turn this one corner and we go, Oh my god - I didn't know that was in here. We can never go back to the way we were. It's like a horrible car accident - you're never the same after that. It's something that you'll think about every day for the rest of your life.
I'm not a career filmmaker. I just like to do things that I still kind of believe in and because of that you just never know what's going to happen next. It doesn't matter if it's been a good year or a bad year: next year, there's no telling what it will be like.
At one point in time in my career, it was like, 'Oh, he never finishes nobody.' Then, the next thing you know, I'm breaking peoples' arms, making them tap out, and knocking them out. Then, the next thing you know, it's, 'Oh, I don't like his personality.' It's like, 'Okay, well, if you don't like who I am, I can't help you there, buddy.'
I don't think 'Freak Dance' is a parody; it's more reference than anything. People don't think of 'The Rocky Horror Picture Show' as a 'Frankenstein' parody. It's kind of like that.
I go out in the streets, and I go to shows, and I see my fans turn from "I like your last rap" to "I feel your movement; you're keeping it all the way real." One thing I've always said is that's never been my story, and I'm not going to go back on my word.
Making Superman was so hard. We were a year over schedule. We were there a year and a half, the first time. And in a year and a half, you go through everything you go through in a life. So you can't really go, "Oh, it must have been fun to work with Chris Reeve." In a year and a half, you bonded like a family, so you know someone far too well to think something as simplistic as "Oh, it's just fun." You know their secrets. I mean, it was everything. It was truly - it's a cliché to say we were family, but we really were.
When I get to 40, I'm going to re-evaluate everything and then go from there. Because when I get to 40, I would like to see where I'm at in my career because I might want to go, 'You know what, I'm done. I'm just happy with everything,' and I'm going to go off my merry way, and I'll probably never pick up a golf club ever again.
I think that knowing where you're going is important, and it's not like, when Robert says that, it's not like we know what every episode of the next five, four, five, six seasons of the show is going to be. I think Matt Weiner knew how Mad Men was going to end. Vince Gilligan knew how Breaking Bad was going to end. Marc Cherry knew how Desperate Housewives was going to end. Along the way, the process of crafting those stories ... You don't know what the road, what twists and turns that road is going to take to ultimately get you there.
Sometimes I feel I have no idea what I'm doing as an actor. I just did a tape for the TV remake of 'The Rocky Horror Picture Show,' and I think it could be the worst thing I've ever done.
I don't go there much. You're thrilled that people would recognize what you're doing in such a grand kind of way. But, just like you don't know if anybody's really going to like what you're doing when you put a record out or if anybody's going to pay attention to it, you can't really go there.
Everything I've done I've always kind of jumped in headfirst, and it's been a learning curve. Even MuchMusic, I had never done live television before, and all of a sudden you show up, and they're like, 'You ready kid? Let's go.'
