A Quote by Josh Fox
'Memorial Day' is about 'spring break' girls-gone-wild culture which is the seedy underbelly of our American Puritanism, the inverse side of the coin. It's also about how we forcefully exported that culture and then pretended to not know what we were doing.
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At the beginning of my career as a writer, I felt I knew nothing of Chinese culture. I was writing about emotional confusion with my mother related to our different beliefs. Hers was based in family history, which I didn't know anything about. I always felt hesitant in talking about Chinese culture and American culture.
If most American cities are about the consumption of culture, Los Angeles and New York are about the production of culture - not only national culture but global culture.
Miami, which has already aired, has this wonderful blend of Caribbean culture and Latin American culture and Southern American culture (talking about fried chicken). All those combine to make for a very very interesting array of ingredients, restaurants, and the chefs that come there. It also has great seafood, not to mention the glorious citrus that's there. And all those things inform what you do - and they should.
The things that inform student culture are created and controlled by the unseen culture, the sociological aspects of our climbing culture, our 'me' generation, our yuppie culture, our SUVs, or, you know, shopping culture, our war culture.
Afrikaans culture is very right-wing and conservative, very proper, and you get this hidden underbelly, the zef side of Afrikaans which no one knows about.
Instead of kids just hearing about beads and baskets and fringe, and about what 'was' and 'were,' we present Native American culture as a living contemporary culture.
I talk about race and culture, and that's what my fans respond to. If you grew up in an environment where race and culture were never an issue for you, or where you don't see the humor in our so-called differences, then you might not respond to what I'm doing.
The real controversy comes with anthropologists - not all, but some - who see themselves as studying culture, and they then see culture from the perspective of humans, which is what they study. From their perspective, or, from some of their perspectives, it's sort of heresy to even talk about culture in any other animal. Others would say, "Yeah, you can talk about it, but our definitions of culture are so utterly different from yours and include things like values, and so on, which you've never shown to exist in any of these other creatures."
I've gone into prisons, I've gone into schools, I've gone into corporations, all over the world. It doesn't matter where you go, people are essentially the same. Our culture is different, but culture is nothing but group habit, culture is paradigm and when you get past the culture, people are essentially the same.
France and the whole of Europe have a great culture and an amazing history. Most important thing, though, is that people there know how to live! In America they've forgotten all about it. I'm afraid that the American culture is a disaster.
France, and the whole of Europe have a great culture and an amazing history. Most important thing though is that people there know how to live! In America they've forgotten all about it. I'm afraid that the American culture is a disaster.
If educators were really understanding of that, they'd say, "You know what? Forget about bilingual, we're going to do multilingual education." So children are ready for the new millennium. We're way behind compared to countries in Europe. If we were multilingual, imagine how much you would learn about your own culture, about the sensibilities of what's important in your own culture.
My parents come from that immigrant culture that places a lot of emphasis on doing well scholastically. Being a comedian or an actor is such an American thing. The Iranian culture is not about dreaming. It's about taking over your father's business, falling into line.
Professional wrestling in Europe is more of a sub-culture. It is not as popular as it is here in the United States. The people that were drawn to it were also people that were into sub-culture, hardcore sub-culture. It is basically an alternative scene that is sub-culture.
We do not have an American culture. We have a white American culture and a black American culture. So when those two groups try to get together, [it's] very difficult because they each feel like they have the right to their culture.
The foreign audiences are somewhat surprised and happy to find an American film that asks questions about American culture. There's a certain kind of cultural imperialism that we practice. Our films penetrate every market in the world. I have seen and have had people reflect to me, maybe not in so many words or specifically, but I get the subtext of it - they're somewhat charmed and surprised and happy to see an American film reflect on our culture. Because they see other cultures reflect on our culture but they don't see US culture reflecting on itself in quite the same way.
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