A Quote by Juliana Hatfield

I never felt happy with the idea that part of what I do is to be an object to be looked at. I thought of my public persona as an entity separate to myself. — © Juliana Hatfield
I never felt happy with the idea that part of what I do is to be an object to be looked at. I thought of my public persona as an entity separate to myself.
I think my perception of my own life is different and the fact that Lauren and myself are together. I've never felt this free or happy and so that permeates onto my onstage persona and to my working environment.
I've never looked at myself and thought, 'Oh yeah, I'm sexy'. I've felt sexy and confident, but I don't look at myself that way.
I've never looked at myself and thought "Oh yeah, I'm sexy." I've felt sexy and confident, but I don't look at myself that way.
With scripts I've always looked at them and thought about kids, you know? Thought about the world and the impact... I won't do nudity and I never felt comfortable with that whole idea or things with huge sexual content - not my thing.
In his or her own way, everyone I saw before me looked happy. Whether they were really happy or just looked it, I couldn't tell. But they did look happy on this pleasant early afternoon in late September, and because of that I felt a kind of loneliness new to me, as if I were the only one here who was not truly part of the scene.
There's the private persona and the public persona and the two shall never meet.
There's the private persona and the public persona and the two shall never meet
Growing up, I had a terrible pudding-bowl haircut. I used to cut it myself, and I'd sew my own clothing, too. I looked a little strange compared to the other kids. But the thing was, I felt I looked amazing, so what other people thought never bothered me.
Prior to 'Insidious Chapter 3,' I was happy to write movies for James Wan to direct as I felt very much that I was one half of a duo. I looked at us as a team who works together and I was happy to be part of that, I was happy to effectively be the bass player in The Beatles.
There was a child went forth everyday, And the first object he looked upon and received with wonder or pity or dread, that object he became, And that object became part of him for the day or a certain part of the day... or for many years or stretching cycles of years.
The funny thing is, because I was doing a lot of theater when I was a kid, and a lot of that was musical theater, as I got older I became more interested in acting as a separate entity and music as a separate entity, like songwriting and production and recording and playing music.
The pop world is cool, but I never really thought of myself as part of it or wanting to be a part of it because I'm on a label that's not really like that. They're not trying to dress me up, they're not trying to do things like that. I feel like I'm sort of separate from that, actually.
I didn't worry about what DeNiro thought... I went in, looked him in the eye, and got the part. I was confident, even though I'd never done anything like it before. Now I realise it was ignorant confidence-I had no idea.
The Beatles meant everything to me growing up, and John was part of that. I loved Lennon's persona. He knew who he was and he knew what he represented to a worldwide public... I think he incited and inspired a whole group of youth to speak out and say what they felt.
I have never felt the pain of not being white the way I've felt it since I've been a public figure/part of this entertainment industry.
I never felt comfortable with myself, because I was never part of the majority. I always felt awkward and shy and on the outside of the momentum of my friends' lives.
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