A Quote by Donald E. Westlake
Writing is flat, so if you only have part of one eye working, you still can do the job. It's just that you sit there and you're angry, which doesn't help.
Related Quotes
We all just meet up and someone's house or the studio and we'll just jam and we'll lock into something that sounds cool. I'll go home with tracks of cool parts and work on words. Everyone in the band has a job to do and everyone knows their job and we all do it really well. So, when we're writing, we can just look at one another and say, 'OK, go write this part'. It's not just one person writing or producing everything - everyone's working to product what we have.
I'm always writing, but directing takes priority over everything, unless the acting is a job that lifts that whole brand. If I get a part in a big film with a big director and I was going to direct one of my one films, I would take the former job because that job will only help anything that I then intend to do. I think in the long run, directing is the thing that will outlive everything else. Maybe that and writing.
The spirits, he said, the souls. They are not angry at the living, they just want to help. Helping others is the only way we can prove we still matter.
Be ruthless about protecting writing days, i.e., do not cave in to endless requests to have "essential" and "long overdue" meetings on those days. The funny thing is that, although writing has been my actual job for several years now, I still seem to have to fight for time in which to do it. Some people do not seem to grasp that I still have to sit down in peace and write the books, apparently believing that they pop up like mushrooms without my connivance. I must therefore guard the time allotted to writing as a Hungarian Horntail guards its firstborn egg.
When I booked 'Arrested Development,' which was a fantastic job, and I was working with an amazing cast and some of the best writing I've ever done, I still found myself looking for the next thing.
Most people are motivated by the economy. And if you've lost your job, lost your mortgage, lost your 401(k), you're angry. And if your brother-in-law has lost one of those you're angry still. And when you're angry you take it out on people who are in office. Which is natural.
I think every film actor secretly wants to be a rock star as well; just that part of the job which requires the extrovert in you. Even if you've become an actor because it's your way of hiding in plain sight, there's still part of you which has that craving.
When you feel angry, there is no need to be angry against someone; just be angry. Let it be a meditation. Close the room, sit by yourself, and let the anger come up as much as it can. If you feel like beating, beat a pillow.
That cactus went right through my eye. It left my eye flat. They took me to a doctor, and he said, 'We'll have to take the eye out.' ...I fought like a tiger. I said, 'No! Leave the eye alone. I am sure it will grow back.' The doctor said, 'You're too young to know.' ...But in a year's time that fluid came back, and that eye is just as good as the other one today.
There's always somebody you can call and go have lunch with and just talk out an idea. And it's great, because I need that. It's part of my writing process, to early on sit people down and say, 'Alright, this film I'm working on...' and I tell them everything I have.
Keeping your head down and just writing is only part of the equation, so I surround myself with smart people to help sell my books.
My plan was always to leave school and live in a flat with some friends, have a 9 to 5 job, and try to get as many gigs as I could. I wanted to keep writing and then eventually, in my twenties, head to a record label and hope they'd sit down and listen to my book of songs, sign me as a songwriter and maybe an artist in development.
Very great charm of shadow and light is to be found in the faces of those who sit in the doors of dark houses. The eye of the spectator sees that part of the face which is in shadow lost in the darkness of the house, and that part of the face which is lit draws its brilliancy from the splendour of the sky. From this intensification of light and shade the face gains greatly in relief and beauty by showing the subtlest shadows in the light part and the subtlest lights in the dark part.
I was working my first adult job, a quasi journalistic job, writing content for a website. In the offices, we had banks of TVs, papers, a constant media stream, which was unusual for 2001.
When I don't have a movie, I don't take a job just for the sake of working. I just sit it out until I find something I'm passionate about.
I didn't want wrestling anymore; I wanted to not want it. But I couldn't get a job anywhere, which was part of the reason I was homeless. I couldn't get a job pumping gas. I couldn't get a job working at a warehouse, I couldn't get a job at Baskin Robbins, I couldn't get a job anywhere.
Related Authors
Ayn Rand Quotes
Russian
Writer
C. S. Lewis Quotes
British
Writer
Francois de La Rochefoucauld Quotes
French
Writer
Gilbert K. Chesterton Quotes
English
Writer
H. L. Mencken Quotes
American
Writer
Haruki Murakami Quotes
Japanese
Writer
Kurt Vonnegut Quotes
American
Writer
Leo Tolstoy Quotes
Russian
Writer
Mark Twain Quotes
American
Writer
Mason Cooley Quotes
American
Writer
Ray Bradbury Quotes
American
Writer
Samuel Johnson Quotes
English
Writer
Seth Godin Quotes
American
Writer
Sherrilyn Kenyon Quotes
American
Writer
Suzanne Collins Quotes
American
Writer