A Quote by Dori Berinstein
Like theatre, crafting a documentary film takes tremendous commitment, patience and passion.
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It takes getting the right talent. It takes a lot of patience. It takes investment and passion and commitment and entrepreneurial spirit, and everyone in the organization must buy into that.
As my passion is theatre when I do a film I'm taking time out from my theatre career. So, I'm desperate to get back into the theatre. So, I have to make sure that I put my foot down, especially with the agents and stuff, and say: "Hey no, I'm doing some theatre!" It is hard but it matters so much to me that it's just something that's going to be necessary and people will have to deal with it.
Prison itself is a tremendous education in the need for patience and perseverance. It is above all a test of one's commitment.
Theatre is filled w/ passion, risk and drama (as much behind-the-curtain as on stage), perfect ingredients for documentary storytelling.
Before I worked on film, I studied the theatre, and I expected that I would spend my whole career in theatre. Gradually, I started writing for the cinema. However, I feel grateful towards the theatre. I love working with spectators, and I love this experience with the theatre, and I like theatre culture.
Passion has little to do with euphoria and everything to do with patience. It is not about feeling good. It is about endurance. Like patience, passion comes from the same Latin root: pati. It does not mean to flow with exuberance. It means to suffer.
Theatre is organic, film is not. Theatre you come every day and you work with a group of people and you're are all up for it and you all get to do the whole thing every night, be it two hours or three hours. In film you work in two or three minute bits and it's never in chronological order and then someone takes that away and makes it look like it all happened, or that you gave that performance.
I don't have a preference between theatre and film; I like to do both. But I will say that there's something about theatre that is more nourishing and sustaining than film ever can be.
Theatre has always been my passion. It never happened to me that theatre took a back seat in my life. I have never stopped doing it even after joining the film industry, and I intend to perform it lifelong.
While pursuing engineering, my passion for theatre grew. So, I told dad I wanted to pursue acting - 'Do you really want to be an actor or are you drawn to the glamour?' he asked. I convinced him of my passion and applied to film schools.
Make sure to be honest with yourself, about if that's really what you want to do with your life - to make music. It takes a commitment - a tremendous, thick-skinned commitment of being the first one to get there and the last one to leave, doing what you want to do even if you have to work twice as hard as anybody else ever did.
It takes a tremendous amount of passion to do innovative things every day.
My hat's off to documentary filmmakers. I don't know if I'm ever going back to it. You're treated like a second-class citizen at most film festivals. You take the bus while everybody else is flown first-class. If you're a feature film director, you're put in a five-star hotel, and if you're a documentary director, you stay in a Motel 6.
There has been a tremendous growth in the entertainment industry throughout Atlanta. There are many opportunities in film, television and theatre.
I know that I put a lot into 'Hereditary', and I'm proud of what it is. Beyond the fact that the film takes its time and asks for a certain amount of patience from the audience - and I hope it rewards that patience by the end - I know that I'm something of an aesthete. I care about aesthetics, and I love filmmaking.
I'm ready for all forms of dialogue about the film The Conquest. There will be a lot of political talk, but I don't think the film itself will be scandalous. For the French, there are so many emotions relating to Sarkozy and politicians in general that I think the film will generate a lot of passion, whether it be negative or positive. Above all, it's a fictional film. It was important not to make a documentary and to really pay attention to the images. From the choice of the actors to the mise en scene, the film is completely cinematographic. It's not just a boring political movie.
