A Quote by Douglas Trumbull
It was the point where things became much more abstract and less literal than in the bulk of the film, which was hardcore rockets and space and planets - all a fairly straightforward evolution from what I had been doing before.
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As Attraction is stronger in small Magnets than in great ones in proportion to their Bulk, and Gravity is greater in the Surfaces of small Planets than in those of great ones in proportion to their bulk, and small Bodies are agitated much more by electric attraction than great ones; so the smallness of the Rays of Light may contribute very much to the power of the Agent by which they are refracted.
Things do look pretty grim, but I think there are more laughs in Hellboy in Hell than there are in B.P.R.D.: Hell on Earth. I think Hell is getting nicer and Earth is getting worse. Once we figured out what we were doing, the whole point of the Hellboy/B.P.R.D. stuff has always been evolution. The kind of evolution we're seeing on Earth is nasty evolution - part of this kind of evolution is that you have to wipe out what was there before you can replace it.
As a kid, I was obsessed with space. Well, I was obsessed with nuclear science too, to a point, but before that, I was obsessed with space, and I was really excited about, you know, being an astronaut and designing rockets, which was something that was always exciting to me.
There's a literal track: who says what to whom, what are people wearing, etcetera. And there's the abstract track: what ideas are suggested by the literal. And the real movie takes place in the relationship between the literal and the abstract.
I came rather late to film. I've done an awful lot of theater before - before I discovered the camera, you know, seeing everything, requiring much less acting and - and much less presentation, much less projecting, more just being.
The people of the United States have been fortunate in many things. One of the things in which we have been most fortunate has been that so far, due perhaps to certain basic virtues in our traditional ways of doing things, we have managed to keep the crisis of western civilization, which has devastated the rest of the world and in which we are as much involved as anybody, more or less at arm's length.
I do talk and think a lot about the legacy before me. I feel like if I didn't know that people had been in Montgomery sixty years ago trying to do similar things that I'm trying to do, with a lot less, with fewer resources, with less security, with less encouragement, with less opportunity - if I didn't know that, then I think doing what I do would be much, much harder.
When Hubble was launched, it became clear very shortly thereafter that there was a problem with the optics.The mirror was not quite the right shape. And the one program that I had really been looking forward to doing with Hubble was studying outer planets in our solar system, the planets Uranus and Neptune.
As you get older you don't want to just do the same thing, otherwise there's not much point. I think it's more or less trying to write things that, perhaps, say more by doing
less, or you're always trying to refine things, make things a little simpler, a little more essential.
Whether solid rockets are more or less likely to fail than liquid-fuel rockets is debatable. More serious, though, is that when they do fail, it's usually violent and spectacular.
It's been written about as "the overview effect." All I can give you is my perspective, but most all of the people who have been in space start to see the world without boundaries. You start to think about how we can keep doing these things we're doing that are destructive of the environment and destructive of the planet. It causes you to start to think things in a quite different way than we had before.
The frontier in space, embodied in the space colony, is one in which the interactions between humans and their environment is so much more sensitive and interactive and less tolerant of irresponsibility than it is on the whole surface of the Earth.
I think that I was being much more uptight about those things before. I feel like I really don't have to prove anything at this point other than what I'm doing.
I was an abstract expressionist before I had seen any abstract expressionist paintings. I started when I was a kid and continued just doing abstract stuff all through high school.
I wanted impossible things. I wanted my life with her before it all turned bad. What I had been given had been taken away and now I was even less than before.
I've had much more down in my life than I've had up. And much more struggle. First of all, when I went into the film school everybody said, "What are you doing? This is a complete dead-end for a career."
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